An archaeometric study of the Monument to Augustus of Saint‐Bertrand‐de‐Comminges: marble provenance and <i>in situ</i> pigment analysis

Abstract An in‐depth archaeometric study was undertaken on the Monument to Augustus (Saint‐Bertrand‐de‐Comminges, Occitanie, France), focusing on both the provenance of the marble and the analysis of the pigments in order to answer questions about the original layout of the Monument and the quarry(ies) that supplied the marble used to create it. A multi‐method protocol including petrography, cathodoluminescence, isotope and elemental analyses, as well as nuclear magnetic resonance (NMR) was applied to identify the marble provenance. The results indicate that the marble used to sculpt the whole ensemble came from the same quarrying site, one of the Saint‐Béat quarries, as suggested by the strong homogeneity in most of the isotopic and elemental data. Pigment analysis using hyperspectral imaging and portable X‐ray fluorescence (XRF) revealed that red ochre was widely used, sometimes combined with Pb‐based pigments to produce various shades. Overall, this archaeometric study suggests that the different elements of the Monument were created within the same time period and by the same craftsmen, although some questions remain regarding its exact location and the nature of its original structure. However, the question of whether or not all the pieces studied belongs to the same monument remains unanswered.

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Publication Details

Journal
Archaeometry
Published
2025-05-25
DOI
https://doi.org/10.1111/arcm.13107
Primary Topic
Cultural Heritage Materials Analysis
Type
article
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article

An archaeometric study of the Monument to Augustus of Saint‐Bertrand‐de‐Comminges: marble provenance and in situ pigment analysis

Anna Gutiérrez García-Moreno, Isabelle Pianet, Francesca Galluzzi, Marie‐Claire Savin et al.
Archaeometry
Cultural Heritage Materials Analysis
article

An archaeometric study of the Monument to Augustus of Saint‐Bertrand‐de‐Comminges: marble provenance and in situ pigment analysis

Anna Gutiérrez García-Moreno, Isabelle Pianet, Francesca Galluzzi, Marie‐Claire Savin, Adriana Iuliano, Zoe Fucito
article en

Abstract

Abstract An in‐depth archaeometric study was undertaken on the Monument to Augustus (Saint‐Bertrand‐de‐Comminges, Occitanie, France), focusing on both the provenance of the marble and the analysis of the pigments in order to answer questions about the original layout of the Monument and the quarry(ies) that supplied the marble used to create it. A multi‐method protocol including petrography, cathodoluminescence, isotope and elemental analyses, as well as nuclear magnetic resonance (NMR) was applied to identify the marble provenance. The results indicate that the marble used to sculpt the whole ensemble came from the same quarrying site, one of the Saint‐Béat quarries, as suggested by the strong homogeneity in most of the isotopic and elemental data. Pigment analysis using hyperspectral imaging and portable X‐ray fluorescence (XRF) revealed that red ochre was widely used, sometimes combined with Pb‐based pigments to produce various shades. Overall, this archaeometric study suggests that the different elements of the Monument were created within the same time period and by the same craftsmen, although some questions remain regarding its exact location and the nature of its original structure. However, the question of whether or not all the pieces studied belongs to the same monument remains unanswered.

ArchaeometryVol. 67(6)
Universitat Autònoma de Barcelona (ES), Centre National de la Recherche Scientifique (FR), Université Bordeaux Montaigne (FR), Institut Català d'Arqueologia Clàssica (ES)
Conseil Régional Aquitaine
Sustainable cities and communities
Openalex Percentile: Top 86%
Cultural Heritage Materials Analysis
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