The Importance of Diversity in Cultural Heritage Conservation Staff: Perspectives on Current Museum Epistemology and the Understanding of Cultural History

As modern museums and other cultural heritage institutions move towards new epistemological models of engagement with their publics, the role of direct interactions with original artifacts is becoming more central to the visitor experience and less reliant on transmissive museum interpretation. As such, the way an object appears and makes a visitor feel directly shapes their museum experience and learning. Conservators, as professionals who maintain those physical objects, strive to maintain authenticity of objects even if materials are physically altered in conservation treatment. However, those treatment approaches are inherently subjective and based on the conservator’s own background, cultural bias, and taste. As museum collections and exhibitions are continually striving for greater diversity, it is imperative that conservation professionals also strive for diversity of views and experience to serve as more ethical caretakers of our cultural heritage.

Authors

Institutions

Publication Details

Journal
Collections A Journal for Museum and Archives Professionals
Published
2025-05-24
DOI
https://doi.org/10.1177/15501906251345436
Primary Topic
Museums and Cultural Heritage
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Importance of Diversity in Cultural Heritage Conservation Staff: Perspectives on Current Museum Epistemology and the Understanding of Cultural History

Jennifer Hain Teper
Collections A Journal for Museum and Archives Professionals
Museums and Cultural Heritage
article

The Importance of Diversity in Cultural Heritage Conservation Staff: Perspectives on Current Museum Epistemology and the Understanding of Cultural History

Jennifer Hain Teper
article en

Abstract

As modern museums and other cultural heritage institutions move towards new epistemological models of engagement with their publics, the role of direct interactions with original artifacts is becoming more central to the visitor experience and less reliant on transmissive museum interpretation. As such, the way an object appears and makes a visitor feel directly shapes their museum experience and learning. Conservators, as professionals who maintain those physical objects, strive to maintain authenticity of objects even if materials are physically altered in conservation treatment. However, those treatment approaches are inherently subjective and based on the conservator’s own background, cultural bias, and taste. As museum collections and exhibitions are continually striving for greater diversity, it is imperative that conservation professionals also strive for diversity of views and experience to serve as more ethical caretakers of our cultural heritage.

Collections A Journal for Museum and Archives ProfessionalsVol. 21(3)
University of Illinois Urbana-Champaign (US)
Openalex Percentile: Top 89%
Museums and Cultural Heritage
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.