Navigating the Virtual Realm: Cybercultural Portrayals in Post-postmodern Fiction

In this article, I explore the portrayals of cyberculturalism in post-postmodern literature, exploring how a number of contemporary literary works have been influenced by virtuality, digital technology, electronic textuality, and multime-diality. I also examine how cyberculturalism in literature represents a chal-lenge to traditional notions of authorship and ownership, fostering collabora-tion and collective creation. Furthermore, I display how cyberculturalism dis-mantles the publishing monopoly and provides authors with a variety of out-lets to release their works. Additionally, I draw upon the dominance of the internet, AI, ChatGPT, and social media in shaping new forms of social commu-nication in post-postmodern literature, and how cybercultural environments impact users’ identities, lifestyles, and relationships. To illustrate the para-digms of cyberculturalism in post-postmodern literature, I analyze several contemporary literary works through the lens of cyberculturalism and discuss key characteristics of cyberculturalism as portrayed in those works. I also touch upon themes such as increased level of (dis)connectivity, the conse-quences of online anonymity, cyberharassment, dichotomy of online/offline identities, and man-machine symbiosis as represented in the selected works.

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Publication Details

Journal
Avant
Published
2025-05-01
DOI
https://doi.org/10.26913/ava1202505
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
0.00
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article

Navigating the Virtual Realm: Cybercultural Portrayals in Post-postmodern Fiction

Mehdi Ghasemi
Avant
Digital Games and Media
article

Navigating the Virtual Realm: Cybercultural Portrayals in Post-postmodern Fiction

Mehdi Ghasemi
article en

Abstract

In this article, I explore the portrayals of cyberculturalism in post-postmodern literature, exploring how a number of contemporary literary works have been influenced by virtuality, digital technology, electronic textuality, and multime-diality. I also examine how cyberculturalism in literature represents a chal-lenge to traditional notions of authorship and ownership, fostering collabora-tion and collective creation. Furthermore, I display how cyberculturalism dis-mantles the publishing monopoly and provides authors with a variety of out-lets to release their works. Additionally, I draw upon the dominance of the internet, AI, ChatGPT, and social media in shaping new forms of social commu-nication in post-postmodern literature, and how cybercultural environments impact users’ identities, lifestyles, and relationships. To illustrate the para-digms of cyberculturalism in post-postmodern literature, I analyze several contemporary literary works through the lens of cyberculturalism and discuss key characteristics of cyberculturalism as portrayed in those works. I also touch upon themes such as increased level of (dis)connectivity, the conse-quences of online anonymity, cyberharassment, dichotomy of online/offline identities, and man-machine symbiosis as represented in the selected works.

AvantVol. 16(1)
University of Turku (FI)
Openalex Percentile: Top 85%
Digital Games and Media
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