Hidden on the Stage: Racism and Brazilian Foreign Policy in the FESMAN ’66

Abstract The Brazilian Ministry of Foreign Affairs organized the country’s contributions in the World Festival of Black Arts (FESMAN, Festival Mundial das Artes Negras) in Senegal in 1966 so as to demonstrate the exceptionality of racial relations in Brazil, expressed under the label of ‘racial democracy.’ The importance attributed to reaffirming Brazilian exceptionality was related to a strategic selectivity of the State aimed at privileging the continuous reconstitution of racism, intrinsically necessary to the reproduction of capital in general and, in particular, in the Brazilian social formation. The case illustrates how racial democracy represented a discursive reference that allowed the State to simultaneously organize the power block and disorganize the opposition from the dominated classes. The Brazilian racial fantasy taken to FESMAN covered up material inequality, made it challenging to identify Afro-Brazilians as a group, and hindered the formation of transnational ties with Pan-Africanism. The current article intends to enrich theoretical reflection on the reasons and ways racism affects the content of Brazilian foreign policy.