Circus Amok: traditional and contemporary, spectacular and political

ABSTRACT Circus Amok: traditional and contemporary, spectacular and political – This article examines Circus Amok, a circus company founded in 1989 in New York City, the United States, and directed by Jennifer Miller, a key figure in the debate on circus and political engagement, particularly in discussions on gender. By investigating secondary sources, including analyses of video recordings of performances and an interview with Jennifer Miller, the article explores the poetics and sensibilities at play in Circus Amok’s creations. The discussion considers Amok as a circus that simultaneously operates within the logic of the spectacle of attractions (in line with the American show business tradition) and articulates a political discourse that challenges structures of power (aligning with the tradition of politically engaged theater). Furthermore, the company draws on formal references from traditional circus while incorporating contemporary artistic discourses and issues.

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Publication Details

Journal
Revista Brasileira de Estudos da Presença
Published
2025-01-01
DOI
https://doi.org/10.1590/2237-2660139957vs02
Primary Topic
Violence, Religion, and Philosophy
Type
article
Field-Weighted Citation Impact
0.00
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article

Circus Amok: traditional and contemporary, spectacular and political

Maria Carolina Vasconcelos Oliveira
Revista Brasileira de Estudos da Presença
Violence, Religion, and Philosophy
article

Circus Amok: traditional and contemporary, spectacular and political

Maria Carolina Vasconcelos Oliveira
article en

Abstract

ABSTRACT Circus Amok: traditional and contemporary, spectacular and political – This article examines Circus Amok, a circus company founded in 1989 in New York City, the United States, and directed by Jennifer Miller, a key figure in the debate on circus and political engagement, particularly in discussions on gender. By investigating secondary sources, including analyses of video recordings of performances and an interview with Jennifer Miller, the article explores the poetics and sensibilities at play in Circus Amok’s creations. The discussion considers Amok as a circus that simultaneously operates within the logic of the spectacle of attractions (in line with the American show business tradition) and articulates a political discourse that challenges structures of power (aligning with the tradition of politically engaged theater). Furthermore, the company draws on formal references from traditional circus while incorporating contemporary artistic discourses and issues.

Revista Brasileira de Estudos da PresençaVol. 15(2)
Universidade Estadual Paulista (Unesp) (BR)
Openalex Percentile: Top 88%
Violence, Religion, and Philosophy
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