CorpoBrasilities in the Circus Ring: Afro-Brazilian toys in the creative and pedagogical processes of the circus artist

ABSTRACT CorpoBrasilities in the Circus Ring: Afro-Brazilian toys in the creative and pedagogical processes of the circus artist – This article discusses how Afro-Brazilian cultural ancestry should be a fundamental creative pedagogical assumption in the training of Brazilian circus artists in contemporary times, in an anti-colonial aesthetic-political positioning. It starts with two questions: How to use Afro-Brazilian techniques such as capoeira in the training of the artist and his/her circus acts in contemporary times? What can be understood as a pedagogical and creative decolonization of Brazilian circus art, respecting its ancient tradition? The risk, the playfulness and the appreciation of cultural reality are common points that strategically enhance Brazilianness and its corporeality, as well as circus arts.

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Publication Details

Journal
Revista Brasileira de Estudos da Presença
Published
2025-01-01
DOI
https://doi.org/10.1590/2237-2660139967vs02
Primary Topic
Literature, Culture, and Criticism
Type
article
Field-Weighted Citation Impact
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article

CorpoBrasilities in the Circus Ring: Afro-Brazilian toys in the creative and pedagogical processes of the circus artist

Lau Santos
Revista Brasileira de Estudos da Presença
Literature, Culture, and Criticism
article

CorpoBrasilities in the Circus Ring: Afro-Brazilian toys in the creative and pedagogical processes of the circus artist

Lau Santos
article en

Abstract

ABSTRACT CorpoBrasilities in the Circus Ring: Afro-Brazilian toys in the creative and pedagogical processes of the circus artist – This article discusses how Afro-Brazilian cultural ancestry should be a fundamental creative pedagogical assumption in the training of Brazilian circus artists in contemporary times, in an anti-colonial aesthetic-political positioning. It starts with two questions: How to use Afro-Brazilian techniques such as capoeira in the training of the artist and his/her circus acts in contemporary times? What can be understood as a pedagogical and creative decolonization of Brazilian circus art, respecting its ancient tradition? The risk, the playfulness and the appreciation of cultural reality are common points that strategically enhance Brazilianness and its corporeality, as well as circus arts.

Revista Brasileira de Estudos da PresençaVol. 15(2)
Universidade Federal de Rondônia (BR)
Openalex Percentile: Top 88%
Literature, Culture, and Criticism
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