Laughter and Violence: pedagogical approaches to clowning in university Theater studies

ABSTRACT Laughter and Violence: pedagogical approaches to clowning in university Theater studies – This article seeks to analyze possible relationships between comicality and violence. The study was developed through theoretical-practical research, whose procedures involved bibliographical research through scenic experimentation laboratories, carried out with students from the Theater Licentiate Degree course, at the Federal University of Pernambuco. The rapprochement between clowning and the universe of popular culture was explored, especially considering the concept of grotesque realism proposed by Bakhtin. The necessity of violence as a pedagogical resource in the proposed technique was problematized and it was concluded that the learning of this technique requires the establishment of an environment of trust, play and freedom among students.

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Publication Details

Journal
Revista Brasileira de Estudos da Presença
Published
2025-01-01
DOI
https://doi.org/10.1590/2237-2660139657vs02
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Laughter and Violence: pedagogical approaches to clowning in university Theater studies

Marianne Tezza Consentino
Revista Brasileira de Estudos da Presença
Theatre and Performance Studies
article

Laughter and Violence: pedagogical approaches to clowning in university Theater studies

Marianne Tezza Consentino
article en

Abstract

ABSTRACT Laughter and Violence: pedagogical approaches to clowning in university Theater studies – This article seeks to analyze possible relationships between comicality and violence. The study was developed through theoretical-practical research, whose procedures involved bibliographical research through scenic experimentation laboratories, carried out with students from the Theater Licentiate Degree course, at the Federal University of Pernambuco. The rapprochement between clowning and the universe of popular culture was explored, especially considering the concept of grotesque realism proposed by Bakhtin. The necessity of violence as a pedagogical resource in the proposed technique was problematized and it was concluded that the learning of this technique requires the establishment of an environment of trust, play and freedom among students.

Revista Brasileira de Estudos da PresençaVol. 15(2)
Universidade Federal de Pernambuco (BR)
Openalex Percentile: Top 89%
Theatre and Performance Studies
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