Narrativa e literalidade na pintura contemporânea

The article explores the overlap between pictorial models of narrative and literality in contemporary painting, taking three artists as an example: Kerry James Marshall, Luc Tuymans and Mamma Andersson. The work of the three, which began to gain prominence between the 1980s and 1990s, summons these two instances - and, often, their historical baggage - simultaneously, working them as distinct signs within the same framework.

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Publication Details

Journal
ARS (São Paulo)
Published
2025-03-05
DOI
https://doi.org/10.11606/issn.2178-0447.ars.2025.217647
Primary Topic
Cultural, Media, and Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Narrativa e literalidade na pintura contemporânea

Paula Mermelstein Costa
ARS (São Paulo)
Cultural, Media, and Literary Studies
article

Narrativa e literalidade na pintura contemporânea

Paula Mermelstein Costa
article en

Abstract

The article explores the overlap between pictorial models of narrative and literality in contemporary painting, taking three artists as an example: Kerry James Marshall, Luc Tuymans and Mamma Andersson. The work of the three, which began to gain prominence between the 1980s and 1990s, summons these two instances - and, often, their historical baggage - simultaneously, working them as distinct signs within the same framework.

ARS (São Paulo)Vol. 23
Pontifícia Universidade Católica do Rio de Janeiro (BR)
Openalex Percentile: Top 88%
Cultural, Media, and Literary Studies
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Narrativa e literalidade na pintura contemporânea — Paula Mermelstein Costa · ARS (São Paulo) (2025) | TGRS Research Map | TGRS