GREEN COLOR IN THE POEMS BY A. TARKOVSKY AND YU. LEVITANSKY (“THERE WAS A HOUSE WITH THREE WINDOWS...” AND “SEPTEMBER. A HOLIDAY OF GREEN COLOR”)

The paper considers the poetics of the green color in two poems written around the same time “There was a house with three windows…” by Arseny Tarkovsky (1976) and “September. A holiday of green color” by Yuri Levitansky (1981). The poems are constructed around the green color, which turns out to be the representation of the unusual and miraculous. It is notable that both poems correlate visual and auditory images, with music and singing serving as a unifying element. In Tarkovsky’s poem, auditory images are represented by music and singing, whereas in Levitansky’s, they are manifested as the sounds of thunderstorms and rain. The article firstly sets forth a methodology for the analysis of color in the context of a lyric poem and secondly subjects the poem to analysis on the basis of that methodology

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Publication Details

Journal
RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series
Published
2025-01-01
DOI
https://doi.org/10.28995/2686-7249-2025-2-80-90
Primary Topic
Discourse Analysis and Cultural Communication
Type
article
Field-Weighted Citation Impact
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article

GREEN COLOR IN THE POEMS BY A. TARKOVSKY AND YU. LEVITANSKY (“THERE WAS A HOUSE WITH THREE WINDOWS...” AND “SEPTEMBER. A HOLIDAY OF GREEN COLOR”)

Victoria Yа. Malkina
RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series
Discourse Analysis and Cultural Communication
article

GREEN COLOR IN THE POEMS BY A. TARKOVSKY AND YU. LEVITANSKY (“THERE WAS A HOUSE WITH THREE WINDOWS...” AND “SEPTEMBER. A HOLIDAY OF GREEN COLOR”)

Victoria Yа. Malkina
article en

Abstract

The paper considers the poetics of the green color in two poems written around the same time “There was a house with three windows…” by Arseny Tarkovsky (1976) and “September. A holiday of green color” by Yuri Levitansky (1981). The poems are constructed around the green color, which turns out to be the representation of the unusual and miraculous. It is notable that both poems correlate visual and auditory images, with music and singing serving as a unifying element. In Tarkovsky’s poem, auditory images are represented by music and singing, whereas in Levitansky’s, they are manifested as the sounds of thunderstorms and rain. The article firstly sets forth a methodology for the analysis of color in the context of a lyric poem and secondly subjects the poem to analysis on the basis of that methodology

RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series(2)
Openalex Percentile: Top 87%
Discourse Analysis and Cultural Communication
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GREEN COLOR IN THE POEMS BY A. TARKOVSKY AND YU. LEVITANSKY (“THERE WAS A HOUSE WITH THREE WINDOWS...” AND “SEPTEMBER. A HOLIDAY OF GREEN COLOR”) — Victoria Yа. Malkina · RSUH/RGGU Bulletin Literary Theory Linguistics Cultural Studies Series (2025) | TGRS Research Map | TGRS