(Re)Designing Nepantla Lived Experiences Through Zine-ing

Abstract In response to the lack of Latinx and Chicanx representation in art and design education, we present a community-based zine project called Borderland Places that validates borderlands lived experiences. Gloria Anzaldúa's nepantla, a theory of in-betweenness, zine making, and culturally sustaining pedagogies comprise our framework for Borderland Places. We include a Borderland Places methodology, analysis, and art borderlands reflections. Zine-ing affirms cultural practices and identities while allowing students to tell their stories using personal and collective voices to counter historical hegemonic practices of erasure, misrepresentation, nonrepresentation, and dismissal. Through the process of zine making, nepantla designers visually communicate and validate their lived experiences of in-betweenness. Students re-envision new multifaceted definitions of their borderlands realities and design aesthetics.

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Publication Details

Journal
Visual Arts Research
Published
2025-01-01
DOI
https://doi.org/10.5406/21518009.51.1.11
Primary Topic
Critical Race Theory in Education
Type
article
Field-Weighted Citation Impact
0.00
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article

(Re)Designing Nepantla Lived Experiences Through Zine-ing

Christen Sperry García, Corinne McCormack-Whittemore
Visual Arts Research
Critical Race Theory in Education
article

(Re)Designing Nepantla Lived Experiences Through Zine-ing

Christen Sperry García, Corinne McCormack-Whittemore
article en

Abstract

Abstract In response to the lack of Latinx and Chicanx representation in art and design education, we present a community-based zine project called Borderland Places that validates borderlands lived experiences. Gloria Anzaldúa's nepantla, a theory of in-betweenness, zine making, and culturally sustaining pedagogies comprise our framework for Borderland Places. We include a Borderland Places methodology, analysis, and art borderlands reflections. Zine-ing affirms cultural practices and identities while allowing students to tell their stories using personal and collective voices to counter historical hegemonic practices of erasure, misrepresentation, nonrepresentation, and dismissal. Through the process of zine making, nepantla designers visually communicate and validate their lived experiences of in-betweenness. Students re-envision new multifaceted definitions of their borderlands realities and design aesthetics.

Visual Arts ResearchVol. 51(1)
Florida State University (US), The University of Texas Rio Grande Valley (US)
Openalex Percentile: Top 85%
Critical Race Theory in Education
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(Re)Designing Nepantla Lived Experiences Through Zine-ing — Christen Sperry García, Corinne McCormack-Whittemore · Visual Arts Research (2025) | TGRS Research Map | TGRS