The Novels Writing about War of Da Ngan and Tram Huong from Feminist Criticism Perspective

War is an “overarching theme” theme in Vietnamese literature, and this is no exception for female authors in the Mekong Delta, particularly in the novel genre. Applying feminist criticism, analysis-synthesis, and parallel comparison methods, this article examines how war is explored in novels by female authors from the Mekong Delta from 1986 to the present, focusing on the works of Da Ngan and Tram Huong. Through a writing style imbued with feminism, these authors offer readers a unique perspective on war, portraying it not only as a reflection of women’s thoughts and emotions but also as an assertion of female identity in times of conflict. Their works contribute to a strong anti-war voice, bearing the imprint of female instinct.