Leveraging art markets by artists from Africa with a special interest in the Kenyan art scene: The discrete charm of the NFTs from an artist’s perspective

This paper offers an overview of the African art scene, with a special focus on the Kenyan art scene. It will also examine non-fungible tokens (NFTs) as a new marketing tool and platform for artists from Africa, exploring how this technology has diversified artistic practices through experimentation beyond traditional painting and sculpture to video, performance art, installations, photography, and digital media. The paper does not delve into the technicalities of creating NFTs but presents an overview and experiences based on conversations with artists and a gallery owner based in Kenya. It also highlights key marketplaces available for minting and marketing NFTs online, noting those most popularly used by artists from Africa.

Authors

Publication Details

Journal
Prace Kulturoznawcze
Published
2025-05-23
DOI
https://doi.org/10.19195/0860-6668.29.1.8
Primary Topic
Cultural Industries and Urban Development
Type
article
Field-Weighted Citation Impact
0.00

Funders

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article

Leveraging art markets by artists from Africa with a special interest in the Kenyan art scene: The discrete charm of the NFTs from an artist’s perspective

Anne Mwiti
Prace Kulturoznawcze
Cultural Industries and Urban Development
article

Leveraging art markets by artists from Africa with a special interest in the Kenyan art scene: The discrete charm of the NFTs from an artist’s perspective

Anne Mwiti
article en

Abstract

This paper offers an overview of the African art scene, with a special focus on the Kenyan art scene. It will also examine non-fungible tokens (NFTs) as a new marketing tool and platform for artists from Africa, exploring how this technology has diversified artistic practices through experimentation beyond traditional painting and sculpture to video, performance art, installations, photography, and digital media. The paper does not delve into the technicalities of creating NFTs but presents an overview and experiences based on conversations with artists and a gallery owner based in Kenya. It also highlights key marketplaces available for minting and marketing NFTs online, noting those most popularly used by artists from Africa.

Prace KulturoznawczeVol. 29(1)
European Commission, Research Executive Agency
Openalex Percentile: Top 85%
Cultural Industries and Urban Development
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