The Muslim Metaverse and its Premoderns: Islam in an Expanding Reality

In February 2022, Turkey’s Directorate of Religious Affairs landed in the news when it announced that performing the pilgrimage to Mecca in the Metaverse does not count as a ‘real hajj’. Mixed reactions to this statement notwithstanding, this article argues that, in the Metaverse era, the existence of a visible but immaterial realm is not just avant-garde, post-modern, or, worse, a ‘blameworthy innovation’. Instead, today’s Muslim imaginary worlds draw upon and find echoes in premodern Islamic artworks, objects, and other forms of creative expression. The Metaverse also recalls the so-called ‘realm of similitudes’ ( ‘alam al-mithal ) developed in historical Islamic dream thought, the definitional contours and imagistic boundaries of which vary and enlarge over time. Such changes occur not only in the minds of spiritual sojourners, but also through technological innovations. All of these changes converge today to craft immersive worlds that reaffirm a historical past, play with forms in the present, and project poetic visions of what might come next.

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Publication Details

Journal
International Journal of Islamic Architecture
Published
2025-05-22
DOI
https://doi.org/10.1386/ijia_00172_1
Primary Topic
Media, Religion, Digital Communication
Type
article
Field-Weighted Citation Impact
0.00
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article

The Muslim Metaverse and its Premoderns: Islam in an Expanding Reality

Christiane Grüber
International Journal of Islamic Architecture
Media, Religion, Digital Communication
article

The Muslim Metaverse and its Premoderns: Islam in an Expanding Reality

Christiane Grüber
article en

Abstract

In February 2022, Turkey’s Directorate of Religious Affairs landed in the news when it announced that performing the pilgrimage to Mecca in the Metaverse does not count as a ‘real hajj’. Mixed reactions to this statement notwithstanding, this article argues that, in the Metaverse era, the existence of a visible but immaterial realm is not just avant-garde, post-modern, or, worse, a ‘blameworthy innovation’. Instead, today’s Muslim imaginary worlds draw upon and find echoes in premodern Islamic artworks, objects, and other forms of creative expression. The Metaverse also recalls the so-called ‘realm of similitudes’ ( ‘alam al-mithal ) developed in historical Islamic dream thought, the definitional contours and imagistic boundaries of which vary and enlarge over time. Such changes occur not only in the minds of spiritual sojourners, but also through technological innovations. All of these changes converge today to craft immersive worlds that reaffirm a historical past, play with forms in the present, and project poetic visions of what might come next.

International Journal of Islamic ArchitectureVol. 14(2)
University of Michigan (US)
Openalex Percentile: Top 88%
Media, Religion, Digital Communication
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