‘I wouldn’t be the person I am today without Camp Cope’: Forging feminist identities through music fandom.

This paper explores the real and lasting impact of the all-women, indie-rock trio, Camp Cope on their fans’ identity formation. In interviews, women, and gender-diverse fans of Camp Cope described strong emotional and experiential connections to the band that helped them to forge and activate feminist identities, define their morals, values, and goals, and heal from sexual harm. This study considers what it means to be a woman or gender-diverse fan of women musicians in an Australian music industry that not only privileges male tastes and talent, but often excludes women and gender-diverse people from full and free participation.

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Publication Details

Journal
IASPM Journal
Published
2025-05-22
DOI
https://doi.org/10.5429/2079.387(2025)v15i1.7en
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

‘I wouldn’t be the person I am today without Camp Cope’: Forging feminist identities through music fandom.

Freya Langley
IASPM Journal
Music History and Culture
article

‘I wouldn’t be the person I am today without Camp Cope’: Forging feminist identities through music fandom.

Freya Langley
article en

Abstract

This paper explores the real and lasting impact of the all-women, indie-rock trio, Camp Cope on their fans’ identity formation. In interviews, women, and gender-diverse fans of Camp Cope described strong emotional and experiential connections to the band that helped them to forge and activate feminist identities, define their morals, values, and goals, and heal from sexual harm. This study considers what it means to be a woman or gender-diverse fan of women musicians in an Australian music industry that not only privileges male tastes and talent, but often excludes women and gender-diverse people from full and free participation.

IASPM JournalVol. 15(1)
Australia and New Zealand Banking Group (AU)
Openalex Percentile: Top 89%
Music History and Culture
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