Emerging Patterns of Participation in Virtual Live Concerts

Digital disruption has radically reorganized the sociality and economics of the music industries. This is perhaps nowhere more apparent than at ‘virtual’ concerts in Massive Multiplayer Games such as Fortnite, in Virtual Reality platforms such as VRChat and in web 3.0 worlds such as Decentraland. This chapter presents the results of a study exploring the behaviours and values of audiences of live online music events. We begin by reviewing the existing literature on livestream and virtual music. We introduce our study of 1003 UK respondents, conducted in early 2023, finding shifts in audience behaviour and values that have endured beyond the era of COVID isolation. We conclude with insights about the present limitations to the appeal of virtual music events, the key features that are likely to drive greater adoption and participation, and a proposal for live music events in the metaverse that aligns with audience values.

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Publication Details

Journal
IASPM Journal
Published
2025-05-22
DOI
https://doi.org/10.5429/2079.387(2025)v15i1.5en
Citations
3
Primary Topic
Digital Games and Media
Type
article
Field-Weighted Citation Impact
12.60

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article

Emerging Patterns of Participation in Virtual Live Concerts

Tom Wagner, Laryssa Whittaker
3 citations
IASPM Journal
Digital Games and Media
12.60
article

Emerging Patterns of Participation in Virtual Live Concerts

Tom Wagner, Laryssa Whittaker
article en
3 citations

Abstract

Digital disruption has radically reorganized the sociality and economics of the music industries. This is perhaps nowhere more apparent than at ‘virtual’ concerts in Massive Multiplayer Games such as Fortnite, in Virtual Reality platforms such as VRChat and in web 3.0 worlds such as Decentraland. This chapter presents the results of a study exploring the behaviours and values of audiences of live online music events. We begin by reviewing the existing literature on livestream and virtual music. We introduce our study of 1003 UK respondents, conducted in early 2023, finding shifts in audience behaviour and values that have endured beyond the era of COVID isolation. We conclude with insights about the present limitations to the appeal of virtual music events, the key features that are likely to drive greater adoption and participation, and a proposal for live music events in the metaverse that aligns with audience values.

IASPM JournalVol. 15(1)
Royal Holloway University of London (GB)
Royal Holloway, University of London
Openalex Percentile: Top 2%
Digital Games and Media
12.60
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