FENOMENUL POEZIEI CARCERALE. O ANALIZĂ A LOCULULUI POEȚILOR ȘI A ROSTURILOR POEZIEI ÎN CADRUL REZISTENȚEI PRIN CULTURĂ ÎN ÎNCHISORILE COMUNISTE

Regardless of whether it was practiced in a limited or broadly participatory manner, with longevity or intermittency, intellectual resistance was always supported by three types of artisans, namely lecturers, storytellers and literary creators, each of them distinguished by a diversity of nuances, according to the intellectual background and talent shown, from debutants and dilettantes to masters of the written or spoken word. In any case, the literati were the creators of the moment, and the poets represented the most prominent group, and were even perceived as a distinct category, of "apostles" of salvation through the word. Their capital role was repeatedly emphasized by dozens of Gulag survivors. In order to understand the world of writers and their influence in the world of detention, it is imperative to outline a typological radiography, depending on the political regimes that condemned them, the relationship with poetry had until the stage of detention, the narratives cultivated in the space of reclusion and, of course, the reception had throughout this time. Other relevant typologies relate to education, age and gender.

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Publication Details

Journal
Analele Universităţii Dunărea de Jos din Galaţi Fascicula XIX Istorie
Published
2025-05-14
DOI
https://doi.org/10.35219/history.2024.07
Primary Topic
Comparative and World Literature
Type
article
Field-Weighted Citation Impact
0.00
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article

FENOMENUL POEZIEI CARCERALE. O ANALIZĂ A LOCULULUI POEȚILOR ȘI A ROSTURILOR POEZIEI ÎN CADRUL REZISTENȚEI PRIN CULTURĂ ÎN ÎNCHISORILE COMUNISTE

Dan Tudorache
Analele Universităţii Dunărea de Jos din Galaţi Fascicula XIX Istorie
Comparative and World Literature
article

FENOMENUL POEZIEI CARCERALE. O ANALIZĂ A LOCULULUI POEȚILOR ȘI A ROSTURILOR POEZIEI ÎN CADRUL REZISTENȚEI PRIN CULTURĂ ÎN ÎNCHISORILE COMUNISTE

Dan Tudorache
article en

Abstract

Regardless of whether it was practiced in a limited or broadly participatory manner, with longevity or intermittency, intellectual resistance was always supported by three types of artisans, namely lecturers, storytellers and literary creators, each of them distinguished by a diversity of nuances, according to the intellectual background and talent shown, from debutants and dilettantes to masters of the written or spoken word. In any case, the literati were the creators of the moment, and the poets represented the most prominent group, and were even perceived as a distinct category, of "apostles" of salvation through the word. Their capital role was repeatedly emphasized by dozens of Gulag survivors. In order to understand the world of writers and their influence in the world of detention, it is imperative to outline a typological radiography, depending on the political regimes that condemned them, the relationship with poetry had until the stage of detention, the narratives cultivated in the space of reclusion and, of course, the reception had throughout this time. Other relevant typologies relate to education, age and gender.

Analele Universităţii Dunărea de Jos din Galaţi Fascicula XIX IstorieVol. 23
"Dunarea de Jos" University of Galati (RO)
Openalex Percentile: Top 89%
Comparative and World Literature
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FENOMENUL POEZIEI CARCERALE. O ANALIZĂ A LOCULULUI POEȚILOR ȘI A ROSTURILOR POEZIEI ÎN CADRUL REZISTENȚEI PRIN CULTURĂ ÎN ÎNCHISORILE COMUNISTE — Dan Tudorache · Analele Universităţii Dunărea de Jos din Galaţi Fascicula XIX Istorie (2025) | TGRS Research Map | TGRS