From Local to Global: Morocco’s Cinematic Identity in the Eyes of Hollywood
This article explores Morocco’s cinematic identity as represented in Hollywood films, analyzing how its local culture, landscapes, and history have been transformed and reinterpreted for global audiences. Through an examination of key films that depict Morocco, this study investigates the patterns of representation, cultural adaptations, and narrative framing used by Hollywood to construct a specific image of the country. By applying concepts from film studies, semiotics, and postcolonial theory, the article examines how Morocco’s unique identity has been both celebrated and distorted through Hollywood’s cinematic lens. It also considers the implications of these portrayals on global perception, cultural tourism, and Morocco’s position in the international film industry. The findings suggest that while Morocco provides a visually rich and historically layered setting, Hollywood’s narratives often reinforce stereotypes and exoticized imagery, shaping how audiences worldwide perceive the country. Finally, the study highlights the emerging role of Moroccan filmmakers and cultural institutions in reclaiming and reshaping Morocco’s cinematic identity for both local and international audiences.
Authors
- Abdelghafour Hatim
- Tarik Bouguerba
Publication Details
- Journal
- The International Journal of Humanities & Social Studies
- Published
- 2025-04-29
- DOI
- https://doi.org/10.24940/theijhss/2025/v13/i2/hs2502-019
- Primary Topic
- African history and culture studies
- Type
- article
- Field-Weighted Citation Impact
- 0.00