From Local to Global: Morocco’s Cinematic Identity in the Eyes of Hollywood

This article explores Morocco’s cinematic identity as represented in Hollywood films, analyzing how its local culture, landscapes, and history have been transformed and reinterpreted for global audiences. Through an examination of key films that depict Morocco, this study investigates the patterns of representation, cultural adaptations, and narrative framing used by Hollywood to construct a specific image of the country. By applying concepts from film studies, semiotics, and postcolonial theory, the article examines how Morocco’s unique identity has been both celebrated and distorted through Hollywood’s cinematic lens. It also considers the implications of these portrayals on global perception, cultural tourism, and Morocco’s position in the international film industry. The findings suggest that while Morocco provides a visually rich and historically layered setting, Hollywood’s narratives often reinforce stereotypes and exoticized imagery, shaping how audiences worldwide perceive the country. Finally, the study highlights the emerging role of Moroccan filmmakers and cultural institutions in reclaiming and reshaping Morocco’s cinematic identity for both local and international audiences.

Authors

Publication Details

Journal
The International Journal of Humanities & Social Studies
Published
2025-04-29
DOI
https://doi.org/10.24940/theijhss/2025/v13/i2/hs2502-019
Primary Topic
African history and culture studies
Type
article
Field-Weighted Citation Impact
0.00
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article

From Local to Global: Morocco’s Cinematic Identity in the Eyes of Hollywood

Abdelghafour Hatim, Tarik Bouguerba
The International Journal of Humanities & Social Studies
African history and culture studies
article

From Local to Global: Morocco’s Cinematic Identity in the Eyes of Hollywood

Abdelghafour Hatim, Tarik Bouguerba
article en

Abstract

This article explores Morocco’s cinematic identity as represented in Hollywood films, analyzing how its local culture, landscapes, and history have been transformed and reinterpreted for global audiences. Through an examination of key films that depict Morocco, this study investigates the patterns of representation, cultural adaptations, and narrative framing used by Hollywood to construct a specific image of the country. By applying concepts from film studies, semiotics, and postcolonial theory, the article examines how Morocco’s unique identity has been both celebrated and distorted through Hollywood’s cinematic lens. It also considers the implications of these portrayals on global perception, cultural tourism, and Morocco’s position in the international film industry. The findings suggest that while Morocco provides a visually rich and historically layered setting, Hollywood’s narratives often reinforce stereotypes and exoticized imagery, shaping how audiences worldwide perceive the country. Finally, the study highlights the emerging role of Moroccan filmmakers and cultural institutions in reclaiming and reshaping Morocco’s cinematic identity for both local and international audiences.

The International Journal of Humanities & Social Studies
Openalex Percentile: Top 87%
African history and culture studies
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