The Publication and Dissemination of the Yuan Dynasty Pilu Canon

This study explores the publication and dissemination of the Pilu Canon 《毗盧藏》, engraved by followers of Bao’en Wanshou Hall in Houshan Village, Fujian, during the Yanyou reign of the Yuan Dynasty. Funded through donations, this canon was part of a broader initiative to republish the four major Buddhist Canons. Its engraving style blends influences from Yan Zhenqing, Ouyang Xun, and Zhao Mengfu, with rounder characters and more spacious layouts compared to earlier Song editions. The project, supported by the White Lotus Society, involved various engravers and resulted in diverse transcription practices. Although no complete set survives, scattered volumes are housed in different institutions. The Pilu Canon provides valuable insights into the evolution of Buddhist scripture layout, the White Lotus Society’s influence, and the interaction between Buddhist texts and secular society in medieval China.