"A Special, Special Agent": Defamiliarized Disability in World of Giants

abstract: This article analyzes the 1959 TV show World of Giants , which narrates its six-inch-tall protagonist Mel Hunter's struggle to live and work as a miniaturized spy in a normative environment. This defamiliarized experience of speculative impairment can be read productively in a disability register, rendering legible the show's critique of structural inaccessibility and complicating past scholarship's queer readings with a crip interpretation of Mel's non-normative gender and relationships with his "normal" companions. This argument combats disability's erasure in broadcast history scholarship and intervenes in conventional narratives regarding mid-century disability representation.

Authors

Publication Details

Journal
Journal of cinema and media studies
Published
2025-03-01
DOI
https://doi.org/10.1353/cj.2025.a960487
Primary Topic
Utopian, Dystopian, and Speculative Fiction
Type
article
Field-Weighted Citation Impact
0.00
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article

"A Special, Special Agent": Defamiliarized Disability in World of Giants

Olivia Johnston Riley
Journal of cinema and media studies
Utopian, Dystopian, and Speculative Fiction
article

"A Special, Special Agent": Defamiliarized Disability in World of Giants

Olivia Johnston Riley
article en

Abstract

abstract: This article analyzes the 1959 TV show World of Giants , which narrates its six-inch-tall protagonist Mel Hunter's struggle to live and work as a miniaturized spy in a normative environment. This defamiliarized experience of speculative impairment can be read productively in a disability register, rendering legible the show's critique of structural inaccessibility and complicating past scholarship's queer readings with a crip interpretation of Mel's non-normative gender and relationships with his "normal" companions. This argument combats disability's erasure in broadcast history scholarship and intervenes in conventional narratives regarding mid-century disability representation.

Journal of cinema and media studiesVol. 64(3)
Openalex Percentile: Top 89%
Utopian, Dystopian, and Speculative Fiction
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