“No matter how terrifying, I want the truth”

Abstract This article examines the functional role of audiovisual techniques in creating suspense in found footage horror films. First, we define found footage horror within the broader genre, highlighting its use of documentary-style filmmaking and the intra-diegetic camera to produce an immersive viewing experience. These elements make it particularly effective for evoking fear and suspense. Second, we present the results of a stylistic analysis of twenty-four selected found footage horror films. To this aim we will distinguish between four key techniques: (1) the application of priming; (2) the vulnerable position of the intra-diegetic camera; (3) the filmmaker's use of off-screen space; and (4) the emphasis on emptiness within frame, sound, time, and long takes. We conclude by summarizing our findings and offering recommendations for future research.