Indigenous Archaeology, Collaborative Practice, and Rock Imagery: An Example from the North American Southwest

While ethnography has held an essential place in the study of Indigenous rock imagery (i.e., petroglyphs and pictographs) in the United States for the past century and a half, rarely are Tribes and other descendant communities involved throughout the entire research program—from conception to publication. This contrasts with recent developments within more traditional “dirt” archaeology, where over the past 30 years, Tribes have assumed greater roles in decision-making, fieldwork, artifact curation, data management, interpretation of results, and repatriation of ancestral belongings. In concert with these changes, Indigenous archaeology has emerged as a domain of theory and practice wherein archaeological research and cultural heritage management center the voices and interests of Indigenous communities. Collaboration among researchers and Indigenous communities has proven to be an effective means of practicing Indigenous archaeology and advancing its goals, but research into rock imagery all too often still limits Indigenous engagement and knowledge to the interpretation of the imagery. This article highlights a case study in Tribal collaboration from the North American Southwest in the interest of advancing an Indigenous archaeology of rock imagery.

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Publication Details

Journal
Arts
Published
2025-05-18
DOI
https://doi.org/10.3390/arts14030053
Citations
2
Primary Topic
Archaeology and Rock Art Studies
Type
article
Field-Weighted Citation Impact
20.67

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article

Indigenous Archaeology, Collaborative Practice, and Rock Imagery: An Example from the North American Southwest

Aaron M. Wright
2 citations
Arts
Archaeology and Rock Art Studies
20.67
article

Indigenous Archaeology, Collaborative Practice, and Rock Imagery: An Example from the North American Southwest

Aaron M. Wright
article en
2 citations

Abstract

While ethnography has held an essential place in the study of Indigenous rock imagery (i.e., petroglyphs and pictographs) in the United States for the past century and a half, rarely are Tribes and other descendant communities involved throughout the entire research program—from conception to publication. This contrasts with recent developments within more traditional “dirt” archaeology, where over the past 30 years, Tribes have assumed greater roles in decision-making, fieldwork, artifact curation, data management, interpretation of results, and repatriation of ancestral belongings. In concert with these changes, Indigenous archaeology has emerged as a domain of theory and practice wherein archaeological research and cultural heritage management center the voices and interests of Indigenous communities. Collaboration among researchers and Indigenous communities has proven to be an effective means of practicing Indigenous archaeology and advancing its goals, but research into rock imagery all too often still limits Indigenous engagement and knowledge to the interpretation of the imagery. This article highlights a case study in Tribal collaboration from the North American Southwest in the interest of advancing an Indigenous archaeology of rock imagery.

ArtsVol. 14(3)
Archaeology Southwest (US)
National Endowment for the Humanities, National Trust for Historic Preservation
Openalex Percentile: Top 1%
Archaeology and Rock Art Studies
20.67
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