Historical Blue Pigments Used in India’s Wall Paintings-A Review

This review highlights the complexity of understanding historical blue pigments, focusing on their characterization, sources, and application in wall paintings. It discusses the Ajanta wall paintings, noting that past and current investigations have only scratched the surface. The dissemination of ideas along ancient trade routes influenced the sharing of painting materials and techniques, but each wall painting remains unique. A 13-year survey of Cappadocia's rockcut churches illustrates continuity and diversity in Byzantine painting techniques. The use of mineral blue pigments in the Indian context is reviewed based on both analysis and literary sources. The article emphasizes the need for further research on pigment identification and durability in various types of paintings across regions and periods.

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Publication Details

Journal
Cultural Arts Research and Development
Published
2025-05-19
DOI
https://doi.org/10.55121/card.v4i2.228
Primary Topic
Cultural Heritage Materials Analysis
Type
article
Field-Weighted Citation Impact
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article

Historical Blue Pigments Used in India’s Wall Paintings-A Review

Anjali Sharma, Manager Rajdeo Singh
Cultural Arts Research and Development
Cultural Heritage Materials Analysis
article

Historical Blue Pigments Used in India’s Wall Paintings-A Review

Anjali Sharma, Manager Rajdeo Singh
article en

Abstract

This review highlights the complexity of understanding historical blue pigments, focusing on their characterization, sources, and application in wall paintings. It discusses the Ajanta wall paintings, noting that past and current investigations have only scratched the surface. The dissemination of ideas along ancient trade routes influenced the sharing of painting materials and techniques, but each wall painting remains unique. A 13-year survey of Cappadocia's rockcut churches illustrates continuity and diversity in Byzantine painting techniques. The use of mineral blue pigments in the Indian context is reviewed based on both analysis and literary sources. The article emphasizes the need for further research on pigment identification and durability in various types of paintings across regions and periods.

Cultural Arts Research and DevelopmentVol. 4(2)
Dr. Babasaheb Ambedkar Marathwada University (IN), National Museum (ZA)
Openalex Percentile: Top 87%
Cultural Heritage Materials Analysis
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