A liberdade de comunicação, e a performance em estimular comportamentos na era informacional

In the context of the positive information society, domination is revealed as a freedom of communication, where neoliberal power techniques are assimilated. It does not matter if the influencer works in the world of fitness, beauty, travel or politics; the incessant evocation of freedom, creativity and authenticity is always present. Advertisements, which intertwine with their performances, do not convey a sense of monotony. In Brazil, we have witnessed politicians who metamorphose into influencers, being venerated as true icons; politics is reduced to large-scale media performances. In televised debates, the focus is not on arguments, but on performance. Discourse becomes a spectacle and propaganda, with information that engages more than the most robust arguments prevailing. The purpose of this text is to reflect on how digital media is configured as a stage where subjects interact with opinion robots, while individuals allow themselves to be influenced by them, whose intentions remain hidden. For this analysis, we will use the works of the South Korean philosopher Byung-Chul Han.

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Publication Details

Journal
Revista Opinião Filosófica
Published
2025-05-19
DOI
https://doi.org/10.36592/opiniaofilosofica.2025.v16.1214
Primary Topic
Media and Communication Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

A liberdade de comunicação, e a performance em estimular comportamentos na era informacional

André Magalhães Coelho
Revista Opinião Filosófica
Media and Communication Studies
article

A liberdade de comunicação, e a performance em estimular comportamentos na era informacional

André Magalhães Coelho
article en

Abstract

In the context of the positive information society, domination is revealed as a freedom of communication, where neoliberal power techniques are assimilated. It does not matter if the influencer works in the world of fitness, beauty, travel or politics; the incessant evocation of freedom, creativity and authenticity is always present. Advertisements, which intertwine with their performances, do not convey a sense of monotony. In Brazil, we have witnessed politicians who metamorphose into influencers, being venerated as true icons; politics is reduced to large-scale media performances. In televised debates, the focus is not on arguments, but on performance. Discourse becomes a spectacle and propaganda, with information that engages more than the most robust arguments prevailing. The purpose of this text is to reflect on how digital media is configured as a stage where subjects interact with opinion robots, while individuals allow themselves to be influenced by them, whose intentions remain hidden. For this analysis, we will use the works of the South Korean philosopher Byung-Chul Han.

Revista Opinião FilosóficaVol. 16
Universidade Metodista de São Paulo (BR)
Openalex Percentile: Top 88%
Media and Communication Studies
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