AESTHETICS OF MAKEUP AND COSTUME DESIGN IN THE DANCE "CISONDARI": UNVEILING LOCAL CULTURAL IDENTITY

This study aims to reveal the values and meanings embedded in the makeup and costume design of the dance piece "Cisondari," choreographed by Tifan Muhammad Amirulloh. Created in 2019, this dance work serves as the choreographer's tribute to the culture of Cisondari Village, incorporating local elements as its main performance components. Makeup and costume design are not merely aesthetic elements but also act as mediums to convey cultural identity and character traits within the dance. This research employs a qualitative descriptive method, using observation, in-depth interviews with the choreographer and costume designer, as well as visual documentation. Data analysis techniques include data reduction, data display, and conclusion drawing to identify the symbolic meanings of the makeup and costumes in this dance. The results show that makeup in the "Cisondari" dance emphasizes bold facial expressions to depict the character's identity and strength, aiming to help the audience understand the dancer's role, even from a distance. The costume design, inspired by the history and unique features of Cisondari Village, highlights visual elements that reflect local wisdom and cultural identity. The combination of makeup and costume in the "Cisondari" dance conveys profound symbolic meaning, illustrating cultural values and enhancing the overall aesthetic of the performance.

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Publication Details

Journal
Journal of Dance and Dance Education Studies
Published
2024-10-15
DOI
https://doi.org/10.17509/jddes.v4i2.75801
Primary Topic
Art Education and Development
Type
article
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article

AESTHETICS OF MAKEUP AND COSTUME DESIGN IN THE DANCE "CISONDARI": UNVEILING LOCAL CULTURAL IDENTITY

Saian Badaruddin, Tifan Muhammad Amirulloh
Journal of Dance and Dance Education Studies
Art Education and Development
article

AESTHETICS OF MAKEUP AND COSTUME DESIGN IN THE DANCE "CISONDARI": UNVEILING LOCAL CULTURAL IDENTITY

Saian Badaruddin, Tifan Muhammad Amirulloh
article en

Abstract

This study aims to reveal the values and meanings embedded in the makeup and costume design of the dance piece "Cisondari," choreographed by Tifan Muhammad Amirulloh. Created in 2019, this dance work serves as the choreographer's tribute to the culture of Cisondari Village, incorporating local elements as its main performance components. Makeup and costume design are not merely aesthetic elements but also act as mediums to convey cultural identity and character traits within the dance. This research employs a qualitative descriptive method, using observation, in-depth interviews with the choreographer and costume designer, as well as visual documentation. Data analysis techniques include data reduction, data display, and conclusion drawing to identify the symbolic meanings of the makeup and costumes in this dance. The results show that makeup in the "Cisondari" dance emphasizes bold facial expressions to depict the character's identity and strength, aiming to help the audience understand the dancer's role, even from a distance. The costume design, inspired by the history and unique features of Cisondari Village, highlights visual elements that reflect local wisdom and cultural identity. The combination of makeup and costume in the "Cisondari" dance conveys profound symbolic meaning, illustrating cultural values and enhancing the overall aesthetic of the performance.

Journal of Dance and Dance Education StudiesVol. 4(2)
Openalex Percentile: Top 55%
Art Education and Development
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AESTHETICS OF MAKEUP AND COSTUME DESIGN IN THE DANCE "CISONDARI": UNVEILING LOCAL CULTURAL IDENTITY — Saian Badaruddin, Tifan Muhammad Amirulloh · Journal of Dance and Dance Education Studies (2024) | TGRS Research Map | TGRS