“Landscape” in A Self-portrait:A Study of George Chinnery’s Self-Portrait from the National Portrait Gallery,UK

Self-portraits were created throughout the career of British painter George Chinnery. Among all the existing self-portraits of Chinnery, the oil painting Self-Portrait created by Chinnery around 1840 and collected by the National Portrait Gallery in the UK is the most famous one. Based on previous academic research on Chinnery’s self-portraits, this paper first conducts a picture analysis of Self-Portrait, and then focuses on the two landscape paintings that appear in the artwork. Combining Chinnery’s life experience, artistic creation and psychological condition, as well as the social environment he lived in, this paper analyzes how Chinnery’s choice and treatment of the two landscape paintings in the self-portrait helped to shape Chinnery’s personal image, thereby revealing Chinnery’s unremitting pursuit of landscape painting while being a successful portrait painter.

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Publication Details

Journal
Advances in Art Science
Published
2025-03-28
DOI
https://doi.org/10.48014/aas.20250127001
Primary Topic
Historical Art and Culture Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

“Landscape” in A Self-portrait:A Study of George Chinnery’s Self-Portrait from the National Portrait Gallery,UK

Chusi Li
Advances in Art Science
Historical Art and Culture Studies
article

“Landscape” in A Self-portrait:A Study of George Chinnery’s Self-Portrait from the National Portrait Gallery,UK

Chusi Li
article en

Abstract

Self-portraits were created throughout the career of British painter George Chinnery. Among all the existing self-portraits of Chinnery, the oil painting Self-Portrait created by Chinnery around 1840 and collected by the National Portrait Gallery in the UK is the most famous one. Based on previous academic research on Chinnery’s self-portraits, this paper first conducts a picture analysis of Self-Portrait, and then focuses on the two landscape paintings that appear in the artwork. Combining Chinnery’s life experience, artistic creation and psychological condition, as well as the social environment he lived in, this paper analyzes how Chinnery’s choice and treatment of the two landscape paintings in the self-portrait helped to shape Chinnery’s personal image, thereby revealing Chinnery’s unremitting pursuit of landscape painting while being a successful portrait painter.

Advances in Art ScienceVol. 2(1)
Openalex Percentile: Top 89%
Historical Art and Culture Studies
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