El texto como cuerpo resonante. Un acercamiento al funcionamiento del lenguaje poético

The objective of this work is to revisit theorists such as Julia Kristeva, Roland Barthes, Jacques Derrida, Gilles Deleuze and Félix Guattari to approach the poems “Tropos” and “Plexilio” by the Argentine writer Oliverio Girondo (1881-1967), both included in the collection of poems En la masmédula (1956) that the Losada publishing house republished in 2010. Thinking about texts as resonant bodies implies understanding that as readers we have to make them produce, enter into them, breaking with the linear, hierarchical and dichotomous structure imposed by the logic of the sign, always rational, which tries to hide the signifying practice. The purpose of the analysis is to observe the language in these texts, that is, to examine disseminated networks of meanings, syntactic dispositions, phonic and morphological aspects, among others, to show how the subject of the enunciation behaves, problematize its category in the text and notice its consequent loss of identity in the two chosen poems.