Designing the exhibition <i>Donatello: Sculpting the Renaissance</i>

The Victoria and Albert Museum’s exhibition Donatello: Sculpting the Renaissance (11 February–11 June 2023) was held in the museum’s largest exhibition space, the Sainsbury Gallery. Taking the Brunelleschian architecture and urban fabric of the city of Florence as the principal sources of inspiration, the design team created spacious viewing environments that subtly distinguished between individual sections of the exhibition while maintaining open vistas through the gallery. Lighting the breadth of Donatello’s work was a particular challenge, as was maintaining minimal supporting architecture that could nonetheless accommodate monumental works. The simultaneously open and intimate viewing environments achieved by the design were highlighted by viewers and critics alike as being particularly successful. In January 2025 lead designer Sam Brown and lead curator Peta Motture, in conversation with Whitney Kerr-Lewis, co-curator of the exhibition, and Rachel Boyd, Motture’s successor as senior curator of Renaissance sculpture at the V&amp;A, reflected on their experience working on the design of Donatello .

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Publication Details

Journal
Sculpture Journal
Published
2025-05-16
DOI
https://doi.org/10.3828/sj.2025.34.2.06
Primary Topic
Architecture and Art History Studies
Type
article
Field-Weighted Citation Impact
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article

Designing the exhibition Donatello: Sculpting the Renaissance

R. Vernon Boyd, Peta Motture, Sam Brown, Whitney Kerr-Lewis
Sculpture Journal
Architecture and Art History Studies
article

Designing the exhibition Donatello: Sculpting the Renaissance

R. Vernon Boyd, Peta Motture, Sam Brown, Whitney Kerr-Lewis
article en

Abstract

The Victoria and Albert Museum’s exhibition Donatello: Sculpting the Renaissance (11 February–11 June 2023) was held in the museum’s largest exhibition space, the Sainsbury Gallery. Taking the Brunelleschian architecture and urban fabric of the city of Florence as the principal sources of inspiration, the design team created spacious viewing environments that subtly distinguished between individual sections of the exhibition while maintaining open vistas through the gallery. Lighting the breadth of Donatello’s work was a particular challenge, as was maintaining minimal supporting architecture that could nonetheless accommodate monumental works. The simultaneously open and intimate viewing environments achieved by the design were highlighted by viewers and critics alike as being particularly successful. In January 2025 lead designer Sam Brown and lead curator Peta Motture, in conversation with Whitney Kerr-Lewis, co-curator of the exhibition, and Rachel Boyd, Motture’s successor as senior curator of Renaissance sculpture at the V&amp;A, reflected on their experience working on the design of Donatello .

Sculpture JournalVol. 34(2)
Openalex Percentile: Top 90%
Architecture and Art History Studies
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