On Modernity in Tintoretto’s Paintings

丁托列托是16世纪威尼斯画派的代表人物，其作品在文艺复兴晚期的艺术转型中展现出强烈的现代性特质。本文以丁托列托的代表性作品为切入点，通过分析他对空间解构、动态光影及戏剧化叙事的革新实践，探讨其如何突破文艺复兴盛期的古典范式，在宗教题材中注入个人化表达与实验性探索。丁托列托的艺术实践不仅预示了巴洛克艺术的到来，更在构图理念与视觉机制中埋下了现代艺术的种子，成为文艺复兴向现代性过渡的关键节点。Tintoretto is a representative figure of the Venetian school of painting in the 16th century, and his works show strong modernity characteristics in the artistic transformation of the late Renaissance. Based on Tintoretto’s representative works, this paper analyzes his innovative practice of spatial deconstruction, dynamic light and shadow and dramatic narration, and discusses how he broke through the classical paradigm of the high Renaissance and injected personal expression and experimental exploration into religious themes. Tintoretto’s artistic practice not only foreshadowed the arrival of Baroque art, but also planted the seeds of modern art in the concept of composition and visual mechanism, becoming a key node in the transition from Renaissance to modernity.