The Concept of Ananda (Divine Bliss) in Hindu Aesthetic Theory: Implications for Contemporary Art and Performance

This research examines the Sanskrit concept of nanda (divine bliss) as a central principle in Hindu aesthetic theory and explores its applications to contemporary artistic practice and performance studies.Through analysis of classical texts on aesthetics such as Bharata's Nyastra and Abhinavagupta's commentaries, alongside interviews with contemporary artists and performers, this study traces the evolution of nanda as both a philosophical concept and experiential goal in artistic creation.The paper argues that nanda represents a distinctive contribution to global aesthetic theory, offering alternatives to Western concepts of beauty, sublimity, and artistic purpose.By positioning aesthetic experience as a form of spiritual insight, traditional Hindu theories establish continuity between sensory perception, emotional response, and transcendent awareness that challenges conventional distinctions between aesthetic and religious experience.Case studies of contemporary dance, music, and visual arts projects that explicitly engage with this concept demonstrate how traditional aesthetic principles continue to generate innovative artistic approaches.This research contributes to both Hindu studies and aesthetic theory by illuminating the ongoing relevance of traditional concepts to contemporary artistic exploration while suggesting how ancient aesthetic frameworks might address current questions about art's social, psychological, and spiritual functions.