BEYOND DAIDALOS: SCULPTURE FROM EARLY IRON AGE AND ARCHAIC KNOSSOS AND ITS REGION

Crete has long been celebrated as the cradle of Greek sculpture. This acknowledgement relies partly on the literary ‘phantom’ of Daidalos and partly on the copious finds of early, especially seventh-century BC, sculpture from the island. Although Knossos and its region are prominent in the literary tradition on the works of Daidalos and have produced numerous early sculptures, this has largely been ignored. My paper addresses the problem and argues for the significance of the evidence from Knossos for the study of early Greek sculpture. The argument is grounded on the publication of three sculptures from the site: two mid to late seventh-century BC fragments of architectural sculpture and a head of a probably free-standing work of the mid sixth century BC, the last piece falling within the alleged Archaic Gap. By integrating art-historical, archaeological and archival perspectives, I study the character, style, dating and findspot of these works, and situate them within their spatial context and their Knossian and broader Cretan and Greek artistic context. The analysis establishes that Knossos and its region boast the fullest sequence of Early Iron Age to Archaic sculpture from Crete, hence they deserve a prominent place in discussions of early Greek sculpture for reasons extending beyond the textual tradition for Daidalos.