Néjad Melih Devrim (1923-1995), Turc de l’École de Paris, artiste lyrique du signifiant

The artistic itinerary of Nejad Melih Devrim (1923–1995), a Turkish artist who settled in Paris in 1946, raises questions about his relative oblivion in France despite a promising career. An actor in the “new trends” of post-war Parisian art, he often embodied a synthesis between Turkish artistic traditions and the modernity of the École de Paris, an orientalist reading of his work that reduces it to a simple fusion of Western and Byzantine influences. However, his career, marked by his cosmopolitan location and his choice of exhibitions abroad, bears witness to a more personal and independent style. Despite gaining recognition in Paris and taking part in numerous salons, his departure for Poland in 1968 marked the beginning of his oblivion in France. Although his work is being rediscovered, notably at the Centre Pompidou, it remains relevant to reevaluate Nejad Melih Devrim's place in a globalized art history, taking into account his cosmopolitan context.

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Publication Details

Journal
Manazir Journal
Published
2025-05-14
DOI
https://doi.org/10.36950/manazir.2024.6.6
Primary Topic
Linguistics and Cultural Studies
Type
article
Field-Weighted Citation Impact
0.00
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Néjad Melih Devrim (1923-1995), Turc de l’École de Paris, artiste lyrique du signifiant

Clotilde Scordia
Manazir Journal
Linguistics and Cultural Studies
article

Néjad Melih Devrim (1923-1995), Turc de l’École de Paris, artiste lyrique du signifiant

Clotilde Scordia
article en

Abstract

The artistic itinerary of Nejad Melih Devrim (1923–1995), a Turkish artist who settled in Paris in 1946, raises questions about his relative oblivion in France despite a promising career. An actor in the “new trends” of post-war Parisian art, he often embodied a synthesis between Turkish artistic traditions and the modernity of the École de Paris, an orientalist reading of his work that reduces it to a simple fusion of Western and Byzantine influences. However, his career, marked by his cosmopolitan location and his choice of exhibitions abroad, bears witness to a more personal and independent style. Despite gaining recognition in Paris and taking part in numerous salons, his departure for Poland in 1968 marked the beginning of his oblivion in France. Although his work is being rediscovered, notably at the Centre Pompidou, it remains relevant to reevaluate Nejad Melih Devrim's place in a globalized art history, taking into account his cosmopolitan context.

Manazir JournalVol. 6
École des hautes études en sciences sociales (FR)
Openalex Percentile: Top 87%
Linguistics and Cultural Studies
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