Exploration of Nationalization and Stylistic Presentation in Soviet Animation of the 1950s-60s from an Iconographic Perspective

Since the October Revolution, Russias cultural industry has been closely tied to the political environment, and the animation industry is no exception. However, the 1950s and 1960s were a pivotal period in Soviet history. Following Stalins death and the rise of new leadership, dramatic shifts in cultural policy and the broader historical context shaped by the Cold War brought about notable changes in the direction of animated films in terms of both style and content. Among these changes, the exploration of nationalization stands out as an important area of study. This paper uses an iconographic approach to analyze the national and visual strategies and styles in Soviet animation of the 1950s-60s, aiming to reveal the ideological shifts or harmonization mechanisms within the context of the Cold War and the thaw period. By examining three animated filmsThe Twelve Brothers-Months, Big Troubles, and Man in A Frameand considering the historical and social background, this paper analyzes the symbols, style, and values reflected in the imagery, revealing the carriers of Soviet animation style and aesthetics during this period. The goal is to provide insights for nationalistic creativity in Chinese animation.