The Dissolution and Reconstruction of the Subject of Film and Television Photography Creation by Generative AI—A Practical Reflection Based on the Generation of Film and Television Storyboards by Midjourney

生成式AI (如Midjourney、Runway ML)的崛起正在颠覆传统影视摄影创作的范式。本文基于Midjourney生成影视分镜的实践与理论批判，揭示AI技术对“创作主体”的双重影响。一方面，AI通过自动化图像生成消解了人类创作者的“唯一性”与“权威性”；另一方面，AI作为“技术他者”倒逼人类创作者向“元创作者”(Meta-Creator)转型，重构了影视摄影的创作逻辑与美学边界。研究指出，未来影视摄影创作将呈现“人机协同”的共生关系，但需警惕技术权力异化导致的“去人性化”风险。The rise of generative AI (such as Midjourney and Runway ML) is subverting the traditional paradigm of film and television photography creation. Based on the practice and theoretical criticism of generating film and television storyboards with Midjourney, this paper reveals the dual impact of AI technology on the “subject of creation”. On the one hand, AI dissolves the “uniqueness” and “authority” of human creators through automated image generation; on the other hand, AI, as a “technical other”, forces human creators to transform into “meta-creators”, reconstructing the creative logic and aesthetic boundaries of film and television photography. The study points out that the future of film and television photography creation will present a symbiotic relationship of “human-machine collaboration”, but it is necessary to be vigilant against the risk of “dehumanization” caused by the alienation of technological power.