All-Aligned: Rethinking Affective Digital Power through Algorithmic Flags and Participative Software Art

This paper presents All-Aligned (Svesvrstani), a participatory algorithmic art project that generates digital flags through user-defined inputs. As an open-source system for automated vexillology, it visualizes how algorithmic infrastructures construct, commodify, and modulate digital identities. Rooted in a post-Yugoslav context but addressing global dynamics, the project asks how algorithmically generated flags can function as ideological and æsthetic constructs – both reflecting and critiquing identity formation under surveillance capitalism. Through a series of public exhibitions and workshops, All-Aligned reveals the platformization of selfhood and the affective economy of engagement. Yet, it also opens space for resistance: by exposing its logic and inviting co-creation, it transforms algorithmic profiling into critical play. Positioned within the lineage of tactical media art, All-Aligned reclaims generative computational æsthetics as a site for collective agency and ideological experimentation.

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Publication Details

Journal
AM Journal of Art and Media Studies
Published
2025-04-15
DOI
https://doi.org/10.25038/am.v0i28.611
Citations
1
Primary Topic
Ethics and Social Impacts of AI
Type
article
Field-Weighted Citation Impact
2.37
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article

All-Aligned: Rethinking Affective Digital Power through Algorithmic Flags and Participative Software Art

Uroš Krčadinac, Jacque Laroche
1 citations
AM Journal of Art and Media Studies
Ethics and Social Impacts of AI
2.37
article

All-Aligned: Rethinking Affective Digital Power through Algorithmic Flags and Participative Software Art

Uroš Krčadinac, Jacque Laroche
article en
1 citations

Abstract

This paper presents All-Aligned (Svesvrstani), a participatory algorithmic art project that generates digital flags through user-defined inputs. As an open-source system for automated vexillology, it visualizes how algorithmic infrastructures construct, commodify, and modulate digital identities. Rooted in a post-Yugoslav context but addressing global dynamics, the project asks how algorithmically generated flags can function as ideological and æsthetic constructs – both reflecting and critiquing identity formation under surveillance capitalism. Through a series of public exhibitions and workshops, All-Aligned reveals the platformization of selfhood and the affective economy of engagement. Yet, it also opens space for resistance: by exposing its logic and inviting co-creation, it transforms algorithmic profiling into critical play. Positioned within the lineage of tactical media art, All-Aligned reclaims generative computational æsthetics as a site for collective agency and ideological experimentation.

AM Journal of Art and Media Studies(36)
Singidunum University (RS)
Openalex Percentile: Top 12%
Ethics and Social Impacts of AI
2.37
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All-Aligned: Rethinking Affective Digital Power through Algorithmic Flags and Participative Software Art — Uroš Krčadinac, Jacque Laroche · AM Journal of Art and Media Studies (2025) | TGRS Research Map | TGRS