All-Aligned: Rethinking Affective Digital Power through Algorithmic Flags and Participative Software Art
This paper presents All-Aligned (Svesvrstani), a participatory algorithmic art project that generates digital flags through user-defined inputs. As an open-source system for automated vexillology, it visualizes how algorithmic infrastructures construct, commodify, and modulate digital identities. Rooted in a post-Yugoslav context but addressing global dynamics, the project asks how algorithmically generated flags can function as ideological and æsthetic constructs – both reflecting and critiquing identity formation under surveillance capitalism. Through a series of public exhibitions and workshops, All-Aligned reveals the platformization of selfhood and the affective economy of engagement. Yet, it also opens space for resistance: by exposing its logic and inviting co-creation, it transforms algorithmic profiling into critical play. Positioned within the lineage of tactical media art, All-Aligned reclaims generative computational æsthetics as a site for collective agency and ideological experimentation.
Authors
- Uroš Krčadinac (ORCID: https://orcid.org/0000-0001-7261-3031)
- Jacque Laroche
Institutions
- Singidunum University (RS)
Publication Details
- Journal
- AM Journal of Art and Media Studies
- Published
- 2025-04-15
- DOI
- https://doi.org/10.25038/am.v0i28.611
- Citations
- 1
- Primary Topic
- Ethics and Social Impacts of AI
- Type
- article
- Field-Weighted Citation Impact
- 2.37