Study on Subtitle Translation of the Film <i>Ne Zha</i>: <i>Demon Child Conquers </i><i>the Sea</i> from the Perspective of Eco-Translatology

当前，我国电影事业发展迅猛，在跨文化交流中的作用日益凸显。电影字幕不仅是电影内容的载体，还融合了文化、语言和艺术等多重元素，其翻译的复杂性远超出传统文字翻译的范畴。生态翻译学强调翻译是一个多维度适应与选择的过程，要求译者在语言、文化和交际层面实现动态平衡。本研究基于生态翻译学的“三维转换”理论，以《哪吒之魔童闹海》的字幕翻译为案例，探讨其在语言维、文化维和交际维的转换策略，旨在传递中国文化特色，达成文化共鸣。Currently, China’s film industry is developing rapidly, playing an increasingly prominent role in cross-cultural communication. Film subtitles, as carriers of cinematic content, integrate multiple elements of culture, language, and art, with their translation complexity far exceeding the domain of traditional text translation. Eco-Translatology emphasizes translation as a process of multidimensional adaptation and selection, requiring translators to achieve dynamic equilibrium across linguistic, cultural, and communicative dimensions. This study, based on the “Three-Dimensional Transformation” theory of Eco-Translatology, takes the subtitle translation of Ne Zha: Demon Child Conquers the Sea as a case study and explores its translation strategies in linguistic, cultural, and communicative dimensions, aiming to convey Chinese cultural characteristics and foster cultural resonance.