The Beatbots: A Musician-Informed Multi-Robot Percussion Quartet

Artistic creation is often seen as a uniquely human endeavor, yet robots bring distinct advantages to music-making, such as precise tempo control, unpredictable rhythmic complexities, and the ability to coordinate intricate human and robot performances. While many robotic music systems aim to mimic human musicianship, our work emphasizes the unique strengths of robots, resulting in a novel multi-robot performance instrument called the Beatbots, capable of producing music that is challenging for humans to replicate using current methods. The Beatbots were designed using an “informed prototyping“ process, incorporating feedback from three musicians throughout development. We evaluated the Beatbots through a live public performance, surveying participants <tex xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">$(N=28)$</tex> to understand how they perceived and interacted with the robotic performance. Results show that participants valued the playfulness of the experience, the aesthetics of the robot system, and the unconventional robot-generated music. Expert musicians and non-expert roboticists demonstrated especially positive mindset shifts during the performance, although participants across all demographics had favorable responses. We propose design principles to guide the development of future robotic music systems and identify key robotic music affordances that our musician consultants considered particularly important for robotic music performance.

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Publication Details

Published
2025-03-04
DOI
https://doi.org/10.1109/hri61500.2025.10973834
Primary Topic
Music Technology and Sound Studies
Type
article
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article

The Beatbots: A Musician-Informed Multi-Robot Percussion Quartet

Jeff Snyder, Naomi Ehrich Leonard, Ida Pu
Music Technology and Sound Studies
article

The Beatbots: A Musician-Informed Multi-Robot Percussion Quartet

Jeff Snyder, Naomi Ehrich Leonard, Ida Pu
article en

Abstract

Artistic creation is often seen as a uniquely human endeavor, yet robots bring distinct advantages to music-making, such as precise tempo control, unpredictable rhythmic complexities, and the ability to coordinate intricate human and robot performances. While many robotic music systems aim to mimic human musicianship, our work emphasizes the unique strengths of robots, resulting in a novel multi-robot performance instrument called the Beatbots, capable of producing music that is challenging for humans to replicate using current methods. The Beatbots were designed using an “informed prototyping“ process, incorporating feedback from three musicians throughout development. We evaluated the Beatbots through a live public performance, surveying participants <tex xmlns:mml="http://www.w3.org/1998/Math/MathML" xmlns:xlink="http://www.w3.org/1999/xlink">$(N=28)$</tex> to understand how they perceived and interacted with the robotic performance. Results show that participants valued the playfulness of the experience, the aesthetics of the robot system, and the unconventional robot-generated music. Expert musicians and non-expert roboticists demonstrated especially positive mindset shifts during the performance, although participants across all demographics had favorable responses. We propose design principles to guide the development of future robotic music systems and identify key robotic music affordances that our musician consultants considered particularly important for robotic music performance.

Princeton University (US), Human Media (US)
Reduced inequalities
Openalex Percentile: Top 92%
Music Technology and Sound Studies
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The Beatbots: A Musician-Informed Multi-Robot Percussion Quartet — Jeff Snyder, Naomi Ehrich Leonard, et al. · (2025) | TGRS Research Map | TGRS