Resonating Silence: Music Perception in the Deaf and Hard of Hearing

Music is traditionally considered an auditory experience; however, the perception of music by Deaf and hard-of-hearing individuals challenges this assumption. This paper examines how people who are Deaf engage with music through a multisensory approach, emphasizing vibration, touch, and visual elements. By analyzing data from the Frontier and Kaggle database, the study explores how hearing-impaired individuals interpret and emotionally respond to rhythmic vibrations. Participants, aged 10–40, interacted with a haptic device that produced both musical and non-musical vibrations. Age-based trends emerged: older participants often associated vibrations with musical instruments, while younger participants connected them to common household objects. Emotional responses varied, with younger individuals showing heightened excitement and older participants experiencing greater relaxation. Findings indicate that tactile rhythms can foster meaningful associations and emotions across age groups, providing insights into sensory-based musical experiences for those who are hearing-impaired. This paper synthesizes literature, case studies, and data from the Frontier database to highlight the various ways music can be felt and comprehended beyond hearing. By underscoring the holistic and multisensory dimensions of music, it argues for appreciating sound and music through a broader understanding of sensory experiences.

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Publication Details

Published
2024-11-29
DOI
https://doi.org/10.1109/upcon62832.2024.10983359
Primary Topic
Noise Effects and Management
Type
article
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article

Resonating Silence: Music Perception in the Deaf and Hard of Hearing

Kiran Singh, Mahak Garg, Akanksha Yadav
Noise Effects and Management
article

Resonating Silence: Music Perception in the Deaf and Hard of Hearing

Kiran Singh, Mahak Garg, Akanksha Yadav
article en

Abstract

Music is traditionally considered an auditory experience; however, the perception of music by Deaf and hard-of-hearing individuals challenges this assumption. This paper examines how people who are Deaf engage with music through a multisensory approach, emphasizing vibration, touch, and visual elements. By analyzing data from the Frontier and Kaggle database, the study explores how hearing-impaired individuals interpret and emotionally respond to rhythmic vibrations. Participants, aged 10–40, interacted with a haptic device that produced both musical and non-musical vibrations. Age-based trends emerged: older participants often associated vibrations with musical instruments, while younger participants connected them to common household objects. Emotional responses varied, with younger individuals showing heightened excitement and older participants experiencing greater relaxation. Findings indicate that tactile rhythms can foster meaningful associations and emotions across age groups, providing insights into sensory-based musical experiences for those who are hearing-impaired. This paper synthesizes literature, case studies, and data from the Frontier database to highlight the various ways music can be felt and comprehended beyond hearing. By underscoring the holistic and multisensory dimensions of music, it argues for appreciating sound and music through a broader understanding of sensory experiences.

Galgotias University (IN)
Reduced inequalities
Openalex Percentile: Top 57%
Noise Effects and Management
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Resonating Silence: Music Perception in the Deaf and Hard of Hearing — Kiran Singh, Mahak Garg, et al. · (2024) | TGRS Research Map | TGRS