Field Notes on Repair: 3
Aliza Shvarts, Cite/Site (Art in General installation, 2020). Courtesy of the artist. The work’s 72 images and texts display fragments of digital images and quotations — visual or discursive artifacts of feminine interdiction, moments when women tried to speak on behalf of themselves, or on behalf of each other, and were not believed. See here, for the full caption.
Authors
- Ana M. C. Santos (ORCID: https://orcid.org/0000-0002-9197-792X)
- CL Bohannon
- Ozayr Saloojee
- John Matt
- A. S. Shvart︠s︡
- Brandi Thompson Summers (ORCID: https://orcid.org/0000-0003-3072-3595)
- Aneesha Dharwadker
- Nicholas Brown (ORCID: https://orcid.org/0000-0002-2719-0671)
- Diego Rivera (ORCID: https://orcid.org/0000-0003-0916-1540)
- Peggy Deamer (ORCID: https://orcid.org/0000-0003-0226-0693)
- Jay Cephas
Institutions
- Landscape Institute (GB)
- Princeton University (US)
- University of Architecture, Civil Engineering and Geodesy (BG)
- African Studies Association (US)
- H.B. Fuller (United States) (US)
- Buckingham Browne & Nichols (US)
- Issues Research (US)
- Office of Diversity and Inclusion (US)
- Artistic Realization Technologies (US)
- Carleton University (CA)
- Chicago State University (US)
Publication Details
- Journal
- Places
- Published
- 2024-11-14
- DOI
- https://doi.org/10.22269/241114
- Primary Topic
- Art, Politics, and Modernism
- Type
- article
- Field-Weighted Citation Impact
- 0.00