Towards Distributed Creativity: Understanding Generative AI in the Context of Design Philosophy and the Material Turn

This study examines the transformative role of generative AI (GenAI) in design through the lens of the material turn, which foregrounds materiality’s agency in shaping human practices. In this context, GenAI is not a mere tool but an active participant in co-creation, challenging subject-object distinctions in design philosophy. Drawing on ontological design, postphenomenology, cognitive science, and material engagement theory, we reinterpret creativity as an emergent phenomenon within sociomaterial networks. Our framework reveals design as a relational process, where creativity unfolds through adaptive interactions, shifting the designer’s role from control to orchestration. We conclude by highlighting the subject- and object-decentered interpretation of design, emphasizing the feedback loops through which human and non-human agents mutually constitute each other over time, creating a new, evolving creative ecosystem.

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Publication Details

Published
2025-05-10
DOI
https://doi.org/10.21606/eksig2025.127
Primary Topic
Design Education and Practice
Type
article
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article

Towards Distributed Creativity: Understanding Generative AI in the Context of Design Philosophy and the Material Turn

Ákos Schneider, Dávid Csűrös
Design Education and Practice
article

Towards Distributed Creativity: Understanding Generative AI in the Context of Design Philosophy and the Material Turn

Ákos Schneider, Dávid Csűrös
article en

Abstract

This study examines the transformative role of generative AI (GenAI) in design through the lens of the material turn, which foregrounds materiality’s agency in shaping human practices. In this context, GenAI is not a mere tool but an active participant in co-creation, challenging subject-object distinctions in design philosophy. Drawing on ontological design, postphenomenology, cognitive science, and material engagement theory, we reinterpret creativity as an emergent phenomenon within sociomaterial networks. Our framework reveals design as a relational process, where creativity unfolds through adaptive interactions, shifting the designer’s role from control to orchestration. We conclude by highlighting the subject- and object-decentered interpretation of design, emphasizing the feedback loops through which human and non-human agents mutually constitute each other over time, creating a new, evolving creative ecosystem.

Moholy-Nagy University of Art and Design (HU)
Openalex Percentile: Top 90%
Design Education and Practice
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