Performing Arts and Affordances: Moving toward Epistemic Justice through Embodied Learning

Abstract We suggest that performing arts help us to understand how to use embodied experience and agency to resist and transform oppressive social practices and environments. We draw from dance studies, 4E (embodied, embedded, extended, and enactive) cognition, and feminist epistemology to reveal connections between performing arts, embodied knowing, and epistemic and social justice. Epistemic injustice consists in being unduly undermined in one’s capacity as an epistemic agent, including because of inadequate understandings of the social experiences and capacities of marginalized groups. Following a pluralist account of epistemic agency, we argue that oppressive social environments yield differential distributions of affordances to members of oppressed groups, resulting in a differential understanding of what they can do (permission and capacity). Performing arts provide an opportunity to produce new understandings of one’s capacity which empower epistemic agents not to conform to oppressive social norms, thereby producing new understandings of what is allowed and fostering greater epistemic and social justice.