Ana Blandiana, Rochia de înger

Ana Blandiana's literary prose acquires, in the sequence entitled Rochia de înger [The Angel's Dress], the particular relevance of a fantastical - oneiric writing in which the (supposedly) real data are mixed up to total confusion with the data of a dream version of the existing. The construction of the world through discourse is made possible through a character whose perception of the outer world is materially and synaesthetically contaminatedand who, by moving through a dream - or several dreams - recomposes her biography on theborderline between life and death.