Culture and identity in New Nollywood films: Trends in Indigenous and foreign language cinema

This article explores how New Nollywood films promote and preserve Nigerian cultures, particularly languages, taking The Wedding Party 2 as a case study. It addresses three questions: (1) how extensively are Indigenous Nigerian languages featured in New Nollywood films, notably those with increased visibility through theatrical releases? (2) In what ways does the language usage in these films contribute to showcasing and preserving the array of cultures found across Nigeria? (3) Taking The Wedding Party 2 as a case study, how does this popular film from New Nollywood either align with or challenge the prevailing patterns in the industry’s utilization of Indigenous languages? The article uses two datasets, revealing an increase in Nollywood films produced in English and a corresponding significant decline in local Indigenous Nigerian languages. The study makes a case for emerging linguistic trends such as transliteration, code-switching and language performativity in New Nollywood cinema and their significance in mediating emergent cultural trends.

Authors

Institutions

Publication Details

Journal
Journal of African Cinemas
Published
2024-12-01
DOI
https://doi.org/10.1386/jac_00116_1
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Culture and identity in New Nollywood films: Trends in Indigenous and foreign language cinema

Aifuwa Edosomwan, Uzoma Okoro
Journal of African Cinemas
South Asian Cinema and Culture
article

Culture and identity in New Nollywood films: Trends in Indigenous and foreign language cinema

Aifuwa Edosomwan, Uzoma Okoro
article en

Abstract

This article explores how New Nollywood films promote and preserve Nigerian cultures, particularly languages, taking The Wedding Party 2 as a case study. It addresses three questions: (1) how extensively are Indigenous Nigerian languages featured in New Nollywood films, notably those with increased visibility through theatrical releases? (2) In what ways does the language usage in these films contribute to showcasing and preserving the array of cultures found across Nigeria? (3) Taking The Wedding Party 2 as a case study, how does this popular film from New Nollywood either align with or challenge the prevailing patterns in the industry’s utilization of Indigenous languages? The article uses two datasets, revealing an increase in Nollywood films produced in English and a corresponding significant decline in local Indigenous Nigerian languages. The study makes a case for emerging linguistic trends such as transliteration, code-switching and language performativity in New Nollywood cinema and their significance in mediating emergent cultural trends.

Journal of African CinemasVol. 16(2)
Atlantic University (US), Pan-Atlantic University (NG)
Openalex Percentile: Top 56%
South Asian Cinema and Culture
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.