Indigenizing feminist rage: The affective formation of rad-feminist politics in digital China

This study explores the everyday digital practices of Jinü (Chinese radical feminists) through the lens of the cultural politics of emotion. Based on three years of digital ethnography and interviews, the research identifies “rage” as a critical “emotional rule” among Jinü . This collective rage, shaped by affective discursive practices and rooted in various sub-emotions experienced by members, manifests in three forms: rage directed at men, other women, and LGBTQ + individuals. These rage-driven feminist practices constitute a form of “soft activism,” fostering “slow resistance” within authoritarian constraints. However, this rage-centric feminist politics exposes an “unfinished business of sentimentality,” characterized by three forms of ambivalence: the commodification of emotion, the intensification of misogyny, and a reliance on individualized feminist solutions. By analyzing the complex interplay between Jinü 's affective subjectivities and social contexts, this research offers a nuanced perspective on Chinese radical feminism, shedding light on non-activism-oriented feminist practices in digital China.

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Publication Details

Journal
International Journal of Cultural Studies
Published
2025-05-06
DOI
https://doi.org/10.1177/13678779251338317
Citations
3
Primary Topic
Gender, Feminism, and Media
Type
article
Field-Weighted Citation Impact
11.60
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article

Indigenizing feminist rage: The affective formation of rad-feminist politics in digital China

Hongkun Wang, Y. S. Zhang, Tang Ling
3 citations
International Journal of Cultural Studies
Gender, Feminism, and Media
11.60
article

Indigenizing feminist rage: The affective formation of rad-feminist politics in digital China

Hongkun Wang, Y. S. Zhang, Tang Ling
article en
3 citations

Abstract

This study explores the everyday digital practices of Jinü (Chinese radical feminists) through the lens of the cultural politics of emotion. Based on three years of digital ethnography and interviews, the research identifies “rage” as a critical “emotional rule” among Jinü . This collective rage, shaped by affective discursive practices and rooted in various sub-emotions experienced by members, manifests in three forms: rage directed at men, other women, and LGBTQ + individuals. These rage-driven feminist practices constitute a form of “soft activism,” fostering “slow resistance” within authoritarian constraints. However, this rage-centric feminist politics exposes an “unfinished business of sentimentality,” characterized by three forms of ambivalence: the commodification of emotion, the intensification of misogyny, and a reliance on individualized feminist solutions. By analyzing the complex interplay between Jinü 's affective subjectivities and social contexts, this research offers a nuanced perspective on Chinese radical feminism, shedding light on non-activism-oriented feminist practices in digital China.

International Journal of Cultural StudiesVol. 28(6)
The University of Melbourne (AU), Shenzhen University (CN), University of Macau (MO)
Openalex Percentile: Top 2%
Gender, Feminism, and Media
11.60
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