Architect Álvaro Siza Vieira’s Self-Portraits

The Portuguese architect Álvaro Siza Vieira has an intense activity as a draughtsperson, allowing sensitive experience and creative thinking to be developed. Among the architectural sketches, we find his self-portrait drawings. From the face to the body, from the front or in profile (standing, sitting or lying down), Siza Vieira observes and draws himself into everyday life, with the organic fluidity of the line and the simplicity as a criterion and as an attribute. Here, the analysis of self-portrait drawings is organised in a paired matrix of physical parameters and cultural factors, with an approach to technical, artistic and compositional aspects of visual expression: i) trace quality; ii) pose and horizon line; iii) anatomy-physiognomy in the face proportion, iv) representation of flesh, skin and hair; v) resemblance-appearance; vi) facial and emotional expression; vii) the body as landscape; viii) the body as a character; ix) identity and specular duplication; and x) intersections between optical-haptic and gaze-gesture.

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Publication Details

Journal
American Journal of Arts and Human Science
Published
2025-05-07
DOI
https://doi.org/10.54536/ajahs.v4i2.4513
Primary Topic
Architecture, Modernity, and Design
Type
article
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article

Architect Álvaro Siza Vieira’s Self-Portraits

Shakil Yussuf Rahim
American Journal of Arts and Human Science
Architecture, Modernity, and Design
article

Architect Álvaro Siza Vieira’s Self-Portraits

Shakil Yussuf Rahim
article en

Abstract

The Portuguese architect Álvaro Siza Vieira has an intense activity as a draughtsperson, allowing sensitive experience and creative thinking to be developed. Among the architectural sketches, we find his self-portrait drawings. From the face to the body, from the front or in profile (standing, sitting or lying down), Siza Vieira observes and draws himself into everyday life, with the organic fluidity of the line and the simplicity as a criterion and as an attribute. Here, the analysis of self-portrait drawings is organised in a paired matrix of physical parameters and cultural factors, with an approach to technical, artistic and compositional aspects of visual expression: i) trace quality; ii) pose and horizon line; iii) anatomy-physiognomy in the face proportion, iv) representation of flesh, skin and hair; v) resemblance-appearance; vi) facial and emotional expression; vii) the body as landscape; viii) the body as a character; ix) identity and specular duplication; and x) intersections between optical-haptic and gaze-gesture.

American Journal of Arts and Human ScienceVol. 4(2)
University of Lisbon (PT), Lisbon School of Design (PT)
Openalex Percentile: Top 90%
Architecture, Modernity, and Design
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