Rehabilitating planetary breathing in times of algorithmic extraction: Notes from the text by Minna Ruckenstein

This article discusses Minna Ruckenstein's notion of breathing spaces as a critical perspective for rethinking digital futures beyond techno-solutionism. In a context where algorithmic architectures and data extraction increasingly shape behaviours, decisions, and imaginaries, Ruckenstein invites the social sciences and humanities to proactively engage in the design and governance of digital technologies. I analyse three key ideas from her work: breathing, critical making, and the re-humanisation of technologies, while also proposing the need to expand these concepts toward a planetary perspective. I argue that breathing is not merely an aesthetic metaphor, but can become a practice of resistance that connects the digital with the planetary. This implies recognising the material entanglement of the digital with specific territories and its deep interdependence with the living beings that shape our environments.

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Publication Details

Journal
Dialogues on Digital Society
Published
2025-05-06
DOI
https://doi.org/10.1177/29768640251338957
Citations
1
Primary Topic
Innovative Human-Technology Interaction
Type
article
Field-Weighted Citation Impact
1.94
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article

Rehabilitating planetary breathing in times of algorithmic extraction: Notes from the text by Minna Ruckenstein

Martín Tironi
1 citations
Dialogues on Digital Society
Innovative Human-Technology Interaction
1.94
article

Rehabilitating planetary breathing in times of algorithmic extraction: Notes from the text by Minna Ruckenstein

Martín Tironi
article en
1 citations

Abstract

This article discusses Minna Ruckenstein's notion of breathing spaces as a critical perspective for rethinking digital futures beyond techno-solutionism. In a context where algorithmic architectures and data extraction increasingly shape behaviours, decisions, and imaginaries, Ruckenstein invites the social sciences and humanities to proactively engage in the design and governance of digital technologies. I analyse three key ideas from her work: breathing, critical making, and the re-humanisation of technologies, while also proposing the need to expand these concepts toward a planetary perspective. I argue that breathing is not merely an aesthetic metaphor, but can become a practice of resistance that connects the digital with the planetary. This implies recognising the material entanglement of the digital with specific territories and its deep interdependence with the living beings that shape our environments.

Dialogues on Digital SocietyVol. 1(2)
Pontificia Universidad Católica de Chile (CL)
Openalex Percentile: Top 16%
Innovative Human-Technology Interaction
1.94
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