Formation of female identity in M. Shkapskaya's poetic practice (based on the collection "Mater Dolorosa")

This article is devoted to rethinking the poetics of the poems of M. Shkapskaya in the compilation “Mater Dolorosa” from the point of view of the formation of a gender-marked identity in it. One of the tasks set by the author of this article is to consider the work of Shkapskaya in connection with the aesthetics of the Silver Age era. For this purpose, the article describes the ideas and constructs of female identity characteristic of the transitional period. Such authors as M. Moravskaya, M. Shaginyan discussed these ideas. The second task of this article should be understood as the consideration of an individual lyrical subject in Shkapskaya’s poetry in relation to the emerging images of female authorship, among which appear: “the Warrior Maiden”, “androgynous”, “Amazon”, the idea of “eternal femininity”. Despite the fact that images associated with taboo themes and the “gynecological” figurativeness appear in the poetics of her works, the identity of the poetess goes back to the conservative idea of the role of women in the world order. An experiment with form and content appears in her poetry, and the traditional mother-wife model itself is not yet subject to reflection.

Authors

Institutions

Publication Details

Journal
Semiotic studies
Published
2025-04-24
DOI
https://doi.org/10.18287/2782-2966-2025-5-1-63-70
Primary Topic
Discourse Analysis and Cultural Communication
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Formation of female identity in M. Shkapskaya's poetic practice (based on the collection "Mater Dolorosa")

Karina Razukhina
Semiotic studies
Discourse Analysis and Cultural Communication
article

Formation of female identity in M. Shkapskaya's poetic practice (based on the collection "Mater Dolorosa")

Karina Razukhina
article en

Abstract

This article is devoted to rethinking the poetics of the poems of M. Shkapskaya in the compilation “Mater Dolorosa” from the point of view of the formation of a gender-marked identity in it. One of the tasks set by the author of this article is to consider the work of Shkapskaya in connection with the aesthetics of the Silver Age era. For this purpose, the article describes the ideas and constructs of female identity characteristic of the transitional period. Such authors as M. Moravskaya, M. Shaginyan discussed these ideas. The second task of this article should be understood as the consideration of an individual lyrical subject in Shkapskaya’s poetry in relation to the emerging images of female authorship, among which appear: “the Warrior Maiden”, “androgynous”, “Amazon”, the idea of “eternal femininity”. Despite the fact that images associated with taboo themes and the “gynecological” figurativeness appear in the poetics of her works, the identity of the poetess goes back to the conservative idea of the role of women in the world order. An experiment with form and content appears in her poetry, and the traditional mother-wife model itself is not yet subject to reflection.

Semiotic studiesVol. 5(1)
Russian State University for the Humanities (RU)
Openalex Percentile: Top 89%
Discourse Analysis and Cultural Communication
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Formation of female identity in M. Shkapskaya's poetic practice (based on the collection "Mater Dolorosa") — Karina Razukhina · Semiotic studies (2025) | TGRS Research Map | TGRS