Machiavelli’s Counsel in Shakespeare’s Measure for Measure

The circulation of Il Principe in the British Isles increased significantly in 1584, thanks to the editor John Wolfe. His aim was to spread Machiavelli’s works not only in England but also across Europe and Italy, where the book had been included in the Index Librorum Prohibitorum since 1557. Machiavelli’s advice to rulers on how to acquire and maintain power, ensuring peace and stability, attracted a diverse readership, from members of the royal court to reformers, philosophers, legal scholars, and even playwrights like Shakespeare. This paper, departing from the influence of The Prince in England, focuses on how the ambiguous figure of the principe nuovo served as a model for discussing diverse forms of government and political theories. It will be shown that Shakespeare’s Measure for Measure enters the political debate by representing Duke Vincentio as the embodiment of a tyrannical Machiavellian prince, offering an indirect criticism of the rule of King James I of England and VI of Scotland.

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Publication Details

Journal
Literature
Published
2025-04-27
DOI
https://doi.org/10.3390/literature5020009
Primary Topic
Renaissance and Early Modern Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Machiavelli’s Counsel in Shakespeare’s Measure for Measure

Simona Laghi
Literature
Renaissance and Early Modern Studies
article

Machiavelli’s Counsel in Shakespeare’s Measure for Measure

Simona Laghi
article en

Abstract

The circulation of Il Principe in the British Isles increased significantly in 1584, thanks to the editor John Wolfe. His aim was to spread Machiavelli’s works not only in England but also across Europe and Italy, where the book had been included in the Index Librorum Prohibitorum since 1557. Machiavelli’s advice to rulers on how to acquire and maintain power, ensuring peace and stability, attracted a diverse readership, from members of the royal court to reformers, philosophers, legal scholars, and even playwrights like Shakespeare. This paper, departing from the influence of The Prince in England, focuses on how the ambiguous figure of the principe nuovo served as a model for discussing diverse forms of government and political theories. It will be shown that Shakespeare’s Measure for Measure enters the political debate by representing Duke Vincentio as the embodiment of a tyrannical Machiavellian prince, offering an indirect criticism of the rule of King James I of England and VI of Scotland.

LiteratureVol. 5(2)
Sapienza University of Rome (IT)
Openalex Percentile: Top 91%
Renaissance and Early Modern Studies
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