The Submerged History and Altered Speech of Brett Ashley: Rereading a Misread Woman

Abstract: During the final production stage of The Sun Also Rises , Scribner's added over 90 exclamation points to the speech acts of Hemingway's characters, a significant percentage of which were assigned to Brett Ashley. This mechanical change had the rhetorical effect of causing the published Brett to seem more melodramatic and insincere than she does in the typescript. Restoring Hemingway's original punctuation to Brett's speech acts and recovering parts of her history that have been obscured—such as her experiences during World War I and a global pandemic—enables us to understand why she includes herself in the phrase "one of us" to refer to those who have faced and survived shattering events and why caregiving is a central component of her relationships with men. In this reading, Brett emerges as more complex and sympathetic than she has in much previous scholarship.

Authors

Publication Details

Journal
˜The œHemingway review
Published
2025-03-01
DOI
https://doi.org/10.1353/hem.2025.a958874
Primary Topic
Rhetoric and Communication Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

The Submerged History and Altered Speech of Brett Ashley: Rereading a Misread Woman

Debra A. Moddelmog
˜The œHemingway review
Rhetoric and Communication Studies
article

The Submerged History and Altered Speech of Brett Ashley: Rereading a Misread Woman

Debra A. Moddelmog
article en

Abstract

Abstract: During the final production stage of The Sun Also Rises , Scribner's added over 90 exclamation points to the speech acts of Hemingway's characters, a significant percentage of which were assigned to Brett Ashley. This mechanical change had the rhetorical effect of causing the published Brett to seem more melodramatic and insincere than she does in the typescript. Restoring Hemingway's original punctuation to Brett's speech acts and recovering parts of her history that have been obscured—such as her experiences during World War I and a global pandemic—enables us to understand why she includes herself in the phrase "one of us" to refer to those who have faced and survived shattering events and why caregiving is a central component of her relationships with men. In this reading, Brett emerges as more complex and sympathetic than she has in much previous scholarship.

˜The œHemingway reviewVol. 44(2)
Openalex Percentile: Top 90%
Rhetoric and Communication Studies
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