"Life Goes On," "Light Lemon with Dark Inversion," and "Cold River Way"

As a colourblind person, Owen is interested in monochromatic imagery both as a preferred style of creating artwork and as a conceptual bed of inspiration. Black and white, yin and yang, negative and positive, light and dark. It's impossible to know one without the other. This understanding informs how processes of change occur and how we know and move through the world. Ancient bacteria developed ocular capacities to distinguish the difference between light and dark. They made symbolic associations with this sense to more deeply understand where warmth and life-giving resources are and to understand their place and what to do in it. This dialectical understanding is the basis of living experience as we know it, and our development depends on it. We are constantly responding to a lack of things by inserting things. If either light or dark exists in excess, we lose the ability to know and enjoy dynamics. When they exist harmoniously, we know our place more deeply, hopefully well enough to expand its benefits to those who can see it. This artwork is meant to evoke a dynamic sense of an ever-changing place, and our imminent capacity to expand its bounty in relational harmony with our place and each other. Media used: clay, scratchboard

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Publication Details

Journal
USURJ University of Saskatchewan Undergraduate Research Journal
Published
2025-04-23
DOI
https://doi.org/10.32396/usurj.v10i1.832
Primary Topic
Art, Technology, and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

"Life Goes On," "Light Lemon with Dark Inversion," and "Cold River Way"

Owen Gerrard
USURJ University of Saskatchewan Undergraduate Research Journal
Art, Technology, and Culture
article

"Life Goes On," "Light Lemon with Dark Inversion," and "Cold River Way"

Owen Gerrard
article en

Abstract

As a colourblind person, Owen is interested in monochromatic imagery both as a preferred style of creating artwork and as a conceptual bed of inspiration. Black and white, yin and yang, negative and positive, light and dark. It's impossible to know one without the other. This understanding informs how processes of change occur and how we know and move through the world. Ancient bacteria developed ocular capacities to distinguish the difference between light and dark. They made symbolic associations with this sense to more deeply understand where warmth and life-giving resources are and to understand their place and what to do in it. This dialectical understanding is the basis of living experience as we know it, and our development depends on it. We are constantly responding to a lack of things by inserting things. If either light or dark exists in excess, we lose the ability to know and enjoy dynamics. When they exist harmoniously, we know our place more deeply, hopefully well enough to expand its benefits to those who can see it. This artwork is meant to evoke a dynamic sense of an ever-changing place, and our imminent capacity to expand its bounty in relational harmony with our place and each other. Media used: clay, scratchboard

USURJ University of Saskatchewan Undergraduate Research JournalVol. 10(1)
University of Saskatchewan (CA)
Openalex Percentile: Top 91%
Art, Technology, and Culture
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"Life Goes On," "Light Lemon with Dark Inversion," and "Cold River Way" — Owen Gerrard · USURJ University of Saskatchewan Undergraduate Research Journal (2025) | TGRS Research Map | TGRS