Comparison of Azerbaijani Carpets and Embroideries According to Composition and Patterns

This study aims to identify the similarities between Azerbaijani embroideries and carpets, thereby confirming their partner cultural roots.The central hypothesis consists of that if these art forms exhibit numerous common features, it becomes indisputable that they originate from the same historical and cultural background.This research is particularly significant due to the frequent misrepresentation of Azerbaijani carpets in foreign scientific literature or art circles, where they are often referred to by incorrect names that obscure or deny their true provenance.Consequently, a number of Azerbaijani carpets are inaccurately presented as part of the cultural heritage of other communities.Over time, the repetition of these errors-whether intentional or unintentional-is contributed to their acceptance as factual.For substantiating the hypothesis, a comparative analysis was conducted on various examples of Azerbaijani embroideries and carpets, focusing on both general design and individual details.The findings indicate a profound interrelation between the two artistic traditions, demonstrating that their ornaments and compositions have evolved in tandem over centuries.In numerous cases, the available factual data does not allow for a definitive determination of whether a particular design or design element first emerged in embroidery or carpet weaving.Nevertheless, the abundance of shared characteristics reinforces the argument for their common origin and underscores the necessity of recognizing these carpets as integral components of Azerbaijan's cultural heritage.